Metal Print : Animal traction: the wheelchair or "dressing"in the 17th-18th century
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Animal traction: the wheelchair or "dressing"in the 17th-18th century
XEE4140292 Animal traction: the wheelchair or " dressing" in the 17th-18th century. Anonymous illustration from 1925. Private collection. by Anonymous; Private Collection; (add.info.: Animal traction: the wheelchair or " dressing" in the 17th-18th century. Anonymous illustration from 1925. Private collection.); Stefano Bianchetti; out of copyright
Media ID 23698800
© Stefano Bianchetti / Bridgeman Images
20"x24" (61x51cm) Metal Print
Step back in time with Media Storehouse's Metal Prints featuring the intriguing image "Animal Traction: The Wheelchair or 'Dressing' in the 17th-18th Century" by Stefano Bianchetti from Fine Art Finder. This captivating artwork, originally from an anonymous illustration dating back to 1925, showcases an unusual yet fascinating method of transportation and mobility aid from history. Bring this piece of historical art into your home or office and add a touch of timeless charm to your space. Our high-quality Metal Prints are known for their vibrant colors, rich details, and long-lasting durability. Order yours today and start your collection!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")
Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This black and white illustration from 1925 takes us back to the 17th-18th century, offering a glimpse into the fascinating world of animal traction. The image showcases a unique form of transportation known as "the wheelchair" or "dressing" which was widely used during this era in France. The intricately detailed engraving depicts a beautifully crafted carriage-like vehicle, pulled by two majestic horses. This mode of transport was not only functional but also exuded elegance and sophistication. The artist's use of color adds depth and richness to the scene, allowing us to imagine the vibrant hues that would have adorned these carriages in real life. As we delve into history through this anonymous artwork, it becomes apparent that animal traction played a crucial role in facilitating movement and circulation during this period. Whether for personal travel or public transportation, these carriages were an essential part of everyday life. Now preserved in a private collection, this print offers us a rare opportunity to appreciate the craftsmanship and ingenuity of our ancestors. It serves as a reminder that even centuries ago, humans found innovative ways to navigate their surroundings with grace and style. Stefano Bianchetti's restoration work on this piece ensures its longevity while honoring its historical significance. As we admire this illustration today, let us marvel at how far we have come while acknowledging the timeless beauty inherent in our past traditions.
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