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Metal Print : John Bull in a bloodthirsty alcoholic claims Fachoda a jean Baptiste Marchand - in "
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John Bull in a bloodthirsty alcoholic claims Fachoda a jean Baptiste Marchand - in "
LSE4094624 John Bull in a bloodthirsty alcoholic claims Fachoda a jean Baptiste Marchand - in " Le Grelot" of 06/11/1898. by French School, (19th century); Private Collection; (add.info.: John Bull in a bloodthirsty alcoholic claims Fachoda a jean Baptiste Marchand - in " Le Grelot" of 06/11/1898.); Photo eLeonard de Selva; French, out of copyright
Media ID 22478512
© Leonard de Selva / Bridgeman Images
16"x24" (61x41cm) Metal Print
Step into history with our captivating Metal Prints from Media Storehouse. Featuring the iconic image "John Bull in a Bloodthirsty Alcoholic Claims Fachoda" by Jean Baptiste Marchand, as depicted in Le Grelot of 06/11/1898, this artwork brings the past to life. Leonard de Selva's Fine Art Finder rendition captures the intensity and drama of the infamous John Bull character, symbolizing British imperialism and jingoism during the Fachoda Crisis. Our high-quality Metal Prints offer a unique and modern twist to traditional art display, providing vivid colors and stunning detail that bring the artwork to life. Elevate your home or office decor with this intriguing piece of historical art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "John Bull in a bloodthirsty alcoholic claims Fachoda a jean Baptiste Marchand - in 'Le Grelot' of 06/11/1898" captures the essence of political satire and colonialism during the late 19th century. The image, created by French School in the 19th century, depicts John Bull, symbolizing England, as a drunken character making territorial claims on Fachoda. Jean Baptiste Marchand, representing France, is shown with an air of defiance. This caricature from "Le Grelot" a satirical magazine published at that time, reflects the tensions between England and France over African territories. The exaggerated portrayal of John Bull as an aggressive and intoxicated figure highlights the criticism towards English imperialism. The artist's skillful engraving technique brings out intricate details in this historical artwork. The composition showcases elements such as merchant ships and African symbols to emphasize the context of colonial expansion. Preserved within a private collection today, this print offers viewers an opportunity to delve into European history during the era of colonization. It serves as a reminder of how art can convey complex political messages through visual storytelling. Leonard de Selva's photograph beautifully captures this significant piece without compromising its originality or copyright restrictions. This image allows us to appreciate both the artistic merit and historical significance behind it while reflecting on issues surrounding power dynamics and cultural exchange during that period.
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