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Metal Print : View of the Temple of Venus and Rome, ruins, 1833 (etching with brown wash)

View of the Temple of Venus and Rome, ruins, 1833 (etching with brown wash)



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View of the Temple of Venus and Rome, ruins, 1833 (etching with brown wash)

STC384822 View of the Temple of Venus and Rome, ruins, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Vue du Temple de Venus et Rome. Ruine; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Built in honour of Venus Felix, the mother of Aeneas, and Roma Aeterna; Dedicated in 135 and restored by Maxentius in 307 who added the apses and the diamond-shaped coffers; The last pagan temple to remain in use in Rome (closed in 391); ); The Stapleton Collection; Italian, out of copyright

Media ID 22924952

© The Stapleton Collection / Bridgeman Images

Apse Coffered Conversing Courtyard Remains Cella Monks


16"x20" (51x41cm) Metal Print

Bring the timeless beauty of history into your home with our Media Storehouse Metal Prints. This exquisite piece features an 1833 etching with brown wash by Agostino Tofanelli, showcasing the ruins of the Temple of Venus and Rome. Captured by Bridgeman Images from Fine Art Finder, this masterpiece transports you back in time to ancient Rome. Our high-quality metal prints are known for their vibrant colors, rich textures, and long-lasting durability. Add this stunning work of art to your collection and create a unique, eye-catching display in your living space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Religious

> Architecture > Styles > Roman Architecture

> Architecture > Temples

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome

> Europe > Italy > Rome

> Popular Themes > Religious Images

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print showcases the mesmerizing "View of the Temple of Venus and Rome, ruins" captured in 1833 by Agostino Tofanelli. The etching with brown wash technique adds a touch of elegance to this historical masterpiece. The temple, dedicated to Venus Felix and Roma Aeterna, was built as an homage to the mythical mother of Aeneas and eternal Rome itself. It stood as a testament to ancient Roman architecture until its closure in 391 AD, making it the last pagan temple still in use at that time. The image reveals intricate details such as the apses and diamond-shaped coffers added during restoration work carried out by Maxentius in 307 AD. The courtyard boasts a majestic fountain while priests can be seen conversing near the cella. Pietro Fontana skillfully engraved this scene for inclusion in Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII. This stunning print is part of The Stapleton Collection and offers viewers a glimpse into ancient Roman religious practices. It serves as a reminder of the rich history embedded within these ruins and invites contemplation on how civilizations evolve over time.

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