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Metal Print : The Meeting Of The Waters, Vale Of Ovoca, Ireland. Drawn By W. H. Bartlett, Engraved By J. C. Bentley. From "The Scenery And Antiquities Of Ireland"By N. P. Willis And J. Stirling Coyne. Illustrated From Drawings By W. H. Bartlett. Published London C. 1841
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The Meeting Of The Waters, Vale Of Ovoca, Ireland. Drawn By W. H. Bartlett, Engraved By J. C. Bentley. From "The Scenery And Antiquities Of Ireland"By N. P. Willis And J. Stirling Coyne. Illustrated From Drawings By W. H. Bartlett. Published London C. 1841
The Meeting Of The Waters, Vale Of Ovoca, Ireland. Drawn By W.H.Bartlett, Engraved By J.C.Bentley. From " The Scenery And Antiquities Of Ireland" By N.P.Willis And J.Stirling Coyne.Illustrated From Drawings By W.H.Bartlett. Published London C.1841
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Media ID 18187311
© Ken Welsh / Design Pics
16"x24" (61x41cm) Metal Print
Experience the timeless beauty of Ireland with our Metal Print of The Meeting of the Waters in the Vale of Ovoca. This stunning image, drawn by W.H. Bartlett and engraved by J.C. Bentley, is taken from "The Scenery and Antiquities of Ireland" by N.P. Willis and J. Stirling Coyne. Our high-quality Metal Print brings the intricate details of Bartlett's original drawing to life, with vibrant colors and exceptional clarity. The sleek, modern metal surface adds a contemporary twist to this classic work of art, making it a unique and eye-catching addition to any space. Bring the enchanting landscapes of Ireland into your home with our beautiful Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This engraving takes us back in time to the picturesque Vale of Ovoca in Ireland. Titled "The Meeting Of The Waters" this print is a stunning representation of nature's beauty, skillfully drawn by W. H. Bartlett and engraved by J. C. Bentley. As we gaze upon the scene, we are transported to a serene riverbank where two streams merge harmoniously, creating a mesmerizing display of swirling currents. The lush greenery surrounding the waters adds depth and tranquility to the composition, while distant mountains provide a majestic backdrop. Published in London around 1841 as part of "The Scenery And Antiquities Of Ireland" by N. P. Willis and J. Stirling Coyne, this historical piece captures not only the natural wonders but also offers insight into Ireland's rich cultural heritage. Bartlett's attention to detail shines through every stroke of his pen, bringing life to each tree branch and ripple on the water's surface. The precision with which Bentley engraved this masterpiece further enhances its visual impact. This horizontal plate invites us to immerse ourselves in Irish history and appreciate the timeless allure of its landscapes. Whether displayed in homes or galleries, this engraving serves as a reminder that art has no expiration date when it comes to capturing moments frozen in time.
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