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Metal Print : Pyrrhus and Astianatte sculpted by Lorenzo Bartolini at the Poldi Pezzoli Museum in Milan

Pyrrhus and Astianatte sculpted by Lorenzo Bartolini at the Poldi Pezzoli Museum in Milan



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Pyrrhus and Astianatte sculpted by Lorenzo Bartolini at the Poldi Pezzoli Museum in Milan

Pyrrhus and Astianatte sculpted by Lorenzo Bartolini at the Poldi Pezzoli Museum in Milan. Milan Poldi Pezzoli Museum Sculpture Neoclassicism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1800-1808 ca.. Artist:Bartolini Lorenzo (1777-1850)

Brogi Giacomo, Stabilimento fotografico
BGA-F-016109-0000

Media ID 33166053

© Alinari Archives, Florence

Literature And Fiction Military Helmet Greco Roman Headdress Civilian Iliad Subject


16"x20" (51x41cm) Metal Print

Experience the timeless beauty of Neoclassical art with our Media Storehouse Metal Prints featuring the iconic sculpture of Pyrrhus and Astianatte by Lorenzo Bartolini. Captured at the Poldi Pezzoli Museum in Milan by Brogi Giacomo of Alinari, this stunning 19th century masterpiece comes to life in vivid detail on high-quality metal. Each print is meticulously crafted using state-of-the-art printing techniques, ensuring a brilliant, long-lasting image that adds elegance and sophistication to any space. Bring the rich history of European sculpture into your home or office with this exquisite piece of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Neoclassicism

> Arts > Artists > B > Giacomo Brogi

> Europe > Italy > Lombardy > Milan

> Popular Themes > Human Body


EDITORS COMMENTS
This print showcases the magnificent sculpture "Pyrrhus and Astianatte" by Lorenzo Bartolini, on display at the esteemed Poldi Pezzoli Museum in Milan. The artwork, created between 1800 and 1808, is a prime example of Neoclassicism in the nineteenth century. The photograph itself was taken around 1915-1920 by renowned Italian photographer Brogi Giacomo from Alinari's photographic establishment. It beautifully captures the intricate details of Bartolini's masterpiece, allowing viewers to appreciate its artistic brilliance even through a two-dimensional medium. In this sculpture, Bartolini skillfully depicts Pyrrhus, a prominent figure from Greek mythology and history. He stands tall with an imposing military helmet adorning his head, representing his role as a warrior. Astianatte, Pyrrhus' young son and another central character from Homer's Iliad epic poem, is depicted alongside him. The composition exudes elegance and grace as it combines elements of both classical Greco-Roman artistry and contemporary fashion trends prevalent during the early nineteenth century in Europe. The contrast between Pyrrhus' muscular physique and Astianatte's youthful innocence adds depth to their portrayal. As we gaze upon this remarkable piece captured by Brogi Giacomo's lens over a century ago, we are transported back in time to witness these mythical characters brought to life through stone sculpting mastery. This photograph serves as a testament to the enduring power of art that transcends generations while also highlighting Italy's rich cultural heritage preserved within museums like Poldi Pezzoli. Note

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