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Metal Print : Two putti, left detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany

Two putti, left detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany



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Two putti, left detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany

Two putti, left detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany Florence Basilica of Santa Croce Sculpture Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1970 ca.. Date of Artwork:1435 ca.. Artist:Donato di Niccol di Betto Bardi known as Donatello

Alinari, Fratelli
ACA-F-061741-0000

Media ID 33137835

© Alinari Archives, Florence

Child Literature And Fiction Mouth Lips Nose Of A Childearly Renaissance Putto Parts Of The Body


16"x20" (51x41cm) Metal Print

Bring the timeless beauty of the Renaissance into your home with our Media Storehouse Metal Prints. This exquisite design features two cherubs, or putti, from the intricately detailed left side of Donatello's Annunciation high relief sculpture, housed in the hallowed halls of Florence's Basilica of Santa Croce. Captured by the renowned Alinari, Fratelli, this early Renaissance masterpiece comes to life in vivid detail on our premium metal prints. Experience the artistry and history of Florence and the Tuscan region like never before with this stunning, museum-quality addition to your decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Baroque paintings

> Europe > Italy > Tuscany > Related Images

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > High Renaissance art

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This print captures the exquisite beauty of two putti, depicted in a left detail of the Annunciation high relief sculpture by Donatello. Found within the Basilica of Santa Croce in Florence, Tuscany, this masterpiece showcases the mastery and artistry of the Early Renaissance period. Donatello, also known as Donato di Niccolò di Betto Bardi, was a renowned Italian sculptor who played a significant role in shaping the artistic landscape of Europe during the First and Second Millennium A. D. His works seamlessly blended elements from various styles and periods such as Renaissance and Renaissance-Baroque. The photograph itself dates back to around 1970, while Donatello's original artwork is believed to have been created around 1435. The attention to detail is evident as every feature on these putti is meticulously carved – from their innocent faces with delicate noses and lips to their enchanting expressions that seem almost lifelike. These cherubic figures exude an ethereal charm that has captivated viewers for centuries. Their nudity symbolizes purity and innocence while emphasizing their childlike nature. As they stand against a backdrop adorned with intricate architectural details, one cannot help but be mesmerized by their presence. Alinari Fratelli skillfully captured this moment through photography without compromising any aspect of its grandeur or significance. This print serves as a testament to both Donatello's genius and Alinari Fratelli's talent behind the lens. Whether you are an admirer of art history or simply appreciate beauty in its purest form, this image transports you back in time to witness firsthand one of Italy's most treasured sculptures within one of Florence's most revered basilicas.

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