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Reynaud Praxinoscope 2

Reynaud Praxinoscope 2


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Reynaud Praxinoscope 2

Reynauds device with central lamp, drum holding the images, and a handle for turning it, giving the illusion of movement

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 607804

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10110675

1879 Cinema Device Devices Drum Giving Handle Illusion Lamp Movement Optical Turning Praxinoscope Reynaud


EDITORS COMMENTS
Step back in time and witness the mesmerizing spectacle of the Reynaud Praxinoscope 2, an intriguing pre-cinema device that brought movement to still images in the late 19th century. This historical artifact, captured in this stunning photograph from Mary Evans Picture Library, showcases the device's central lamp, which illuminated the intricately designed drum holding multiple images. The handle at the side of the device was used to turn the drum, creating an optical illusion of continuous motion. Invented by Émile Reynaud in 1879, the Praxinoscope 2 was a significant precursor to the cinematograph and other motion picture technologies. The device utilized a series of glass disks, each with a set of images, arranged in a spiral pattern on the drum. When the drum was turned, the images would be projected onto a screen through the central lamp, creating the illusion of continuous movement. This photograph offers a unique glimpse into the history of cinema and the groundbreaking innovations that shaped the way we experience visual media today. The Praxinoscope 2 represents a pivotal moment in the development of moving images, bridging the gap between static illustrations and the dynamic, immersive experiences offered by modern cinema. As you gaze upon this image, imagine the awe and wonder that audiences must have felt as they watched the first moving images come to life before their very eyes. The Praxinoscope 2 stands as a testament to the ingenuity and creativity of its inventor, Émile Reynaud, and the boundless potential of human imagination.

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