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ORCAGNA, Andrea di Cione, called (1343-1368)
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ORCAGNA, Andrea di Cione, called (1343-1368)
ORCAGNA, Andrea di Cione, called (1343-1368). Tabernacle. 1359. ITALY. Florence. Orsanmichele. Marble, lapis lazuli, gold and inlaid glass. Death and Assumption of the Virgin. Renaissance art. Trecento. Relief
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Media ID 8268305
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Andrea Assumption Called Florence Inlaid Italia Lapis Lazuli Marble Peninsula Renaissance Tabernacle Trecento Virgin Europeans Orcagna Orsanmichele
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EDITORS COMMENTS
This exquisite tabernacle, created by Andrea di Cione, also known as Orcagna, showcases the artistic brilliance of the Italian Renaissance during the Trecento period. Dated to 1359, this masterpiece is located in the Orsanmichele church in Florence, Italy. The tabernacle is a stunning example of the European artistic tradition, combining various materials such as marble, lapis lazuli, gold, and inlaid glass. The relief, titled "Death and Assumption of the Virgin," is a visual representation of the Christian belief in the Virgin Mary's assumption into heaven following her death. The intricate design showcases the Virgin Mary lying in a recumbent position, surrounded by angels and various saints. The central figure, Death, is depicted as a skeleton, holding a scythe and an hourglass, symbolizing the transience of life. Above Mary, the Assumption is depicted with Christ and other heavenly beings. Orcagna's mastery of the relief technique is evident in the intricate details and lifelike depiction of the figures. The use of marble, lapis lazuli, gold, and inlaid glass adds to the visual richness and complexity of the artwork. The tabernacle's intricate design and religious significance make it a must-see for art enthusiasts and history buffs alike, offering a glimpse into the artistic and cultural heritage of the European Peninsula during the Renaissance era.
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