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Antependium of altar in the Basilica di Sant Ambrogio
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Antependium of altar in the Basilica di Sant Ambrogio
Rear of the antependium of the altar in the Basilica di Sant Ambrogio, Milan. Bas-relief formed of sheets of gold decorated with scenes from St. Ambroses life. Parte posteriore del Paliotto della Basilica di S. Ambrosiana in Milano. Handcoloured copperplate engraving by Giarre from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1844
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Media ID 23384044
© Florilegius
13th Alberto Altar Angel Antico Basilica Beato Benedict Bergamo Blessed Chiesa Ferrario Giacomo Giarrè Giulio Horseback Marble Moderno Monastery Monk Peoples Santambrogio Savior Scales Sepolcro Tomb Antependium
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1. Rear View of the Antependium of the AltAR in the Basilica di Sant'Ambrogio, Milan: A Glimpse into the Rich History of the Church and its Patron Saint The captivating image before you presents the rear view of the antependium of the altar in the historic Basilica di Sant'Ambrogio in Milan, Italy. This exquisite work of art, dating back to the 13th century, is a testament to the rich history and artistic heritage of the Basilica and its revered patron saint, Saint Ambrose. The antependium, a decorative cloth or panel placed at the rear of the altar, is adorned with intricately designed sheets of gold. These gold sheets are meticulously embossed with scenes from Saint Ambrose's life, showcasing his significant role in the early Christian Church. The bas-relief depictions include the saint on horseback, blessing the people, and various other scenes that highlight his virtues and accomplishments. The central scene on the right side of the image illustrates Saint Ambrose standing on a tomb, surrounded by angels, while weighing the souls on the scales of justice. This symbolizes his role as the Savior of Milan and the intercessor between God and his people. On the left side, a man in monk's attire, likely representing Saint James, is shown paying homage to the saint. The antependium is further embellished with scenes from the lives of other saints, such as Saint Benedict and Saint Giacopo of Pontida. The intricate marble sculpture work and the detailed illustrations on the antependium are a marvel of historical fashion and artistry, reflecting the grandeur and piety of the medieval era. This hand-coloured copperplate engraving, created by Giarre for Giulio Ferrario's "Costumes Ancient and Modern of the Peoples of the World" in 1844, offers a fascinating glimpse into the history and artistic beauty of the Basilica di Sant'Ambrogio and the revered figures it holds dear.
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