Monstrous craws, at a new coalition feast

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Monstrous craws, at a new coalition feast

Monstrous craws, at a new coalition feast. Cartoon shows King George, dressed as an old woman, the Queen, and the Prince of Wales seated around a basin perched on the laps of the King and Queen; they eagerly spoon the contents, representing gold coins, into their mouths. Pouches hanging from their necks like goitres are full, except for that of the Prince of Wales, whose is empty. The gate to the treasury, in the background, is open. Date 1787 May 29th

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Media ID 7347114

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10608580

EDITORS COMMENTS
is a satirical political cartoon published on May 29, 1787, during a time of political instability and financial crisis in Britain. The image, created by an unknown artist, depicts King George III, the Queen, and the Prince of Wales engaged in a grotesque feast, each greedily spooning gold coins into their mouths from a basin perched precariously on their laps. The King and Queen, both dressed as old women, appear eager and satisfied, their pouches hanging from their necks bulging with coins. In contrast, the Prince of Wales, represented as a young man, is left empty-handed, symbolizing his perceived lack of power and influence in the coalition government. The open gate to the treasury in the background further emphasizes the corrupt and self-serving nature of the ruling elite. At the time, Britain was facing significant economic challenges, including high levels of national debt and inflation, as well as political instability caused by the ongoing power struggle between the King and his ministers. This cartoon reflects the public's growing frustration with the ruling class and their perceived greed and corruption. The image was likely circulated as a print or broadsheet, spreading the message to a wide audience and fueling public discourse on political and social issues. Overall, "Monstrous Craws at a New Coalition Feast" is a powerful and provocative commentary on the political and economic climate of late 18th-century Britain, highlighting the corruption and self-interest of the ruling elite and the growing discontent of the populace. The image remains an important historical artifact, shedding light on the complex political landscape of the time and the role of satire in shaping public opinion.

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