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III Crusade of Richard the Lionhearted (1189-1192)
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III Crusade of Richard the Lionhearted (1189-1192)
III Crusade of Richard the Lionhearted (1189-1192). Departure to the Crusades. Manuscript 4276, fol. 6. Gothic art. FRANCE. Paris. National Library
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Media ID 8282019
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10681159
Armies Crusade Crusades Departure I Ii Manuscript Militarism Militarist Ornament Up Right
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This stunning illuminated manuscript page, taken from Manuscript 4276 in the National Library of France, depicts the dramatic departure of King Richard the Lionhearted and his armies for the Third Crusade (1189-1192). The militaristic scene is filled with vibrant colors and intricate ornamentation, reflecting the Gothic art style prevalent in medieval Europe during this period. Richard the Lionhearted, known for his military prowess and courage, is depicted in the center of the image, clad in armor and mounted on horseback. He raises his hand in a gesture of blessing or command, signaling the departure of his formidable army. The armies, consisting of infantry and cavalry, are shown in an orderly and disciplined formation, ready to embark on the long and arduous journey to the Holy Land. The cross, a symbol of the Crusades and the Christian faith, is prominently displayed on the banners of the soldiers, emphasizing the religious motivation behind their military endeavor. The vertical composition of the image, with the up-right figure of Richard at the center, creates a sense of dynamism and movement, conveying the excitement and anticipation of the crusaders as they set out on their mission. This page is a testament to the powerful fusion of military might and religious devotion that characterized the Crusades, and serves as a reminder of the significant role that militarism played in shaping the medieval world. The intricate details and rich colors of the illumination further underscore the artistic mastery and craftsmanship of the Gothic tradition.
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