George Ernest Studdy, self-portrait with Bonzo puppy
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George Ernest Studdy, self-portrait with Bonzo puppy
George Ernest Studdy, a self-portrait of the artist bending right down to observe a Bonzo-like puppy. Captioned Studdy employs no models, but one presumes that he memorises the expressions of all the dogs he meets, it was specially drawn for an interview published in The Royal Magazine, 1924 (Volume LII, p445 onwards). Date: 1924
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Media ID 14306100
© Estate of George Studdy/Gresham Marketing GMBH/Richard Fitzpatrick/Mary Evans
Bend Bending Bonzo Cigarette Ernest Observation Observe Observing Puppies Puppy Pups Skinny Stare Staring Studdy Thin Trilby 1924 Scrutiny
EDITORS COMMENTS
George Ernest Studdy's Self-Portrait with Bonzo-like Puppy: A Glimpse into the Artist's World In this self-portrait, English painter George Ernest Studdy (1862-1926) is depicted bending down to observe a playful Bonzo-like puppy with intense scrutiny. Studdy, known for his mastery of painting dogs, chose not to employ models but rather memorized the expressions and movements of the canines he encountered in his daily life. This particular image was created especially for an interview published in The Royal Magazine in 1924. The artist, dressed in a thin, worn suit, dons a trilby hat, and holds a cigarette in his hand. His focused gaze and attentive posture convey the depth of his connection with the puppy, emphasizing the intricate details and nuances of both subjects. The playful pup, with its expressive eyes and wagging tail, returns the artist's gaze with equal curiosity and interest. This evocative self-portrait is a testament to Studdy's dedication to capturing the essence of dogs and their human counterparts. The image, reminiscent of the 1920s era, offers a glimpse into the artist's world and his unique approach to observing and memorizing the expressions of his subjects. Studdy's self-portrait with the Bonzo-like puppy is an exquisite example of his artistic talent and his ability to convey the depth of emotion and connection between humans and their beloved pets. This image, published in The Royal Magazine in 1924, remains a cherished piece of art and historical documentation of the 20th century.
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