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False door of Bateti. Egypt

False door of Bateti. Egypt


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False door of Bateti. Egypt

Limestone false door of Bateti. The figure inside the niche depicts the deceased out of his grave to receive their offerings. 2400 BC. 5th Dynasty. Old Kingdom. British Museum. London. United Kingdom

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Media ID 14322964

© Thaliastock / Mary Evans

2400 25th Barefoot Barefooted Carved Deceased Dressed Drum Dynasty False Funerary Grave Inscribed Inscription Limestone Lintel Loincloth Niche Offering Offerings Polychrome Polychromed Polychromy Receive Jamb Jambs


EDITORS COMMENTS
1. Title: "Receiving Offerings: A 5th Dynasty False Door from Bateti, British Museum, London" This limestone false door, hailing from the ancient Egyptian site of Bateti, dates back to the 5th Dynasty, around 2400 BC. The Old Kingdom masterpiece is currently housed in the British Museum in London, United Kingdom. The central figure inside the niche is the deceased, depicted as emerging from his grave to graciously receive offerings. The figure is shown barefoot, dressed in a simple loincloth, and adorned with a polychromed drum. The jambs and lintel of the door are intricately carved, displaying high relief and vividly painted inscriptions. The false door was an essential component of ancient Egyptian funerary art. It served as a symbolic portal through which the deceased could receive offerings from the living. The offering scene depicted on the door was believed to ensure the continued well-being of the deceased in the afterlife. The figure's polychromed portrait is a testament to the advanced artistic techniques of the Old Kingdom. The intricate inscriptions on the door provide valuable insights into the religious beliefs and funerary practices of the ancient Egyptians. The false door's intricate design and historical significance make it a must-see for anyone interested in ancient Egyptian art and culture. Its presence in the British Museum is a reminder of the rich cultural heritage that has been preserved for future generations to appreciate and learn from.

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