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Jambs Collection

Jambs, often overlooked architectural elements, have played a significant role in various historical sites and structures around the world

Background imageJambs Collection: Stonehenge / Stukeley

Stonehenge / Stukeley
A peep into the Sanctum Sanctorum. Stukeley states When we advance.. the chasm of sky between the jambs of the cell.. and the greatness of every part, surprizes

Background imageJambs Collection: A suit of armour from the Manfredi family, 1620. Purplish black armour engraved with gilt foliage

A suit of armour from the Manfredi family, 1620. Purplish black armour engraved with gilt foliage
FLO4678289 A suit of armour from the Manfredi family, 1620. Purplish black armour engraved with gilt foliage, helmet with plumed crest, elbow splints

Background imageJambs Collection: Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390

Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti
FLO4678203 Sir Guy de Bryan, First Baron Bryan, English military commander and admiral, 1319-1390, and Bernarbo Visconti, Lord of Milan, Italian soldier and statesman, 1354-1385

Background imageJambs Collection: Merovingian kings from the jambs of the Royal Portal, Chartres Cathedral

Merovingian kings from the jambs of the Royal Portal, Chartres Cathedral
6338858 Merovingian kings from the jambs of the Royal Portal, Chartres Cathedral by Villain (19th century); (add.info.: Merovingian kings from the jambs of the Royal Portal, Chartres Cathedral)

Background imageJambs Collection: Doorjamb (sandstone)

Doorjamb (sandstone)
1072464 Doorjamb (sandstone) by Asian School; 179.7x45.1x26.7 cm; Dallas Museum of Art, Texas, USA; Wendover Fund, gift of David T

Background imageJambs Collection: False door from the tomb of Hemi-Re, Priestess of Hathor (limestone with pigment)

False door from the tomb of Hemi-Re, Priestess of Hathor (limestone with pigment)
FIT264457 False door from the tomb of Hemi-Re, Priestess of Hathor (limestone with pigment) by Egyptian, First Intermediate Period (c.2125-1975 BC); 82.5x63.5 cm; Fitzwilliam Museum

Background imageJambs Collection: The church of St. Mary and St. David, Kilpeck, Herefordshire, England

The church of St. Mary and St. David, Kilpeck, Herefordshire, England, is a small gem of romanesque architecture and carving, circa 1140, with scrolled serpents on the jambs Date: 12th century

Background imageJambs Collection: Monastery of Santa Maria de Ripoll, jambs in the facade that represent the collection

Monastery of Santa Maria de Ripoll, jambs in the facade that represent the collection of the vine

Background imageJambs Collection: Group of Apostles in the jambs of the doorway of the Church of Santa Maria la Real of Deva

Group of Apostles in the jambs of the doorway of the Church of Santa Maria la Real of Deva

Background imageJambs Collection: Lazio Roma Rome Ardea S. Pietro Italy italian country

Lazio Roma Rome Ardea S. Pietro Italy italian country
Lazio Roma Ardea S. Pietro, this is my Italy, the italian country of visual history, Medieval Architecture, sculpture, architectural sculpture, painting

Background imageJambs Collection: Umbria Perugia Spoleto S. Maria Assunta Cathedral

Umbria Perugia Spoleto S. Maria Assunta Cathedral
Umbria Perugia Spoleto S. Maria Assunta, Cathedral, this is my Italy, the italian country of visual history, Exterior views facade 12th century with details of the rose window, blind gallery

Background imageJambs Collection: Tel Deweir Lachish Inner gateway S. W bastion

Tel Deweir Lachish Inner gateway S. W bastion
Tel Deweir, Lachish, Inner gateway within S.W. bastion, original threshold below gate jambs, one stone of later sill (Persian period) in position above. Drainage trenches run to stone sill



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Jambs, often overlooked architectural elements, have played a significant role in various historical sites and structures around the world. From Stonehenge to Chartres Cathedral, these sturdy supports have witnessed centuries of human history. At Stonehenge, the jambs stand tall as silent sentinels amidst the mystical landscape. Revered by antiquarian William Stukeley for their enigmatic purpose, these ancient stones continue to captivate visitors with their enigmatic presence. Intricate carvings on the jambs of the Royal Portal at Chartres Cathedral transport us back to the time of Merovingian kings. These regal figures immortalized in stone remind us of a bygone era when artistry and power intertwined seamlessly. The doorjamb made from sandstone tells its own story within walls that whisper secrets. As one passes through this threshold, they enter into a realm where past meets present—a tangible connection between generations. A false door carved from limestone with vibrant pigments transports us deep into Egyptian history. The tomb of Hemi-Re reveals her status as Priestess of Hathor while reminding us that death was not an end but rather a transition to another realm. In Kilpeck, England, the church of St. Mary and St. David proudly displays intricate jambs adorned with captivating sculptures—each figure telling its own tale within this sacred space. The Monastery of Santa Maria de Ripoll showcases jambs on its facade representing an extensive collection—a testament to artistic expression throughout time. These intricately crafted pieces serve as windows into cultural heritage and religious devotion. Traveling further south brings us to Spain's Church of Santa Maria la Real in Deva—its doorway adorned with apostles depicted on ornate jambs—an invitation for worshipers to step into a spiritual sanctuary steeped in tradition. Across continents lies Egypt's False Door of Bateti—a portal symbolizing eternal life and rebirth—an enduring reminder that our mortal existence is but a fleeting moment in the grand tapestry of time.