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Pigs Possessed Broad Bottom d Litter Running Headlong

Pigs Possessed Broad Bottom d Litter Running Headlong


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Pigs Possessed Broad Bottom d Litter Running Headlong

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14064629

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1756 1815 1807 Bottom Chelsea Clad Cliff Driving Faces Farmer Foot Hand Colored Etching Harlequin James Gillray King King George Nation Nickname Office Pigs Sheridan Trimmed Brinsley Perdition Prod Real Life Weakened


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > James Gillray

> Europe > United Kingdom > England > London > Boroughs > Kensington and Chelsea

> Europe > United Kingdom > England > London > Towns > Chelsea

> People > Politicians


EDITORS COMMENTS
This print titled "Pigs Possessed Broad Bottom d Litter Running Headlong" captures a moment of political satire and social commentary from April 18,1807. Hand colored etching brings to life the intricate details of this artwork by James Gillray, a renowned British artist hailing from Chelsea. In this scene, we witness an angry farmer driving a group of overfed pigs towards the edge of a cliff. These pigs symbolize the Whig politicians who were accused of weakening the nation through their greedy pursuit of government posts. King George III himself is depicted as the farmer, reflecting his nickname in real life. One particular pig stands out among the rest - it is labeled with the name Richard Brinsley Sheridan, a notable playwright and politician clad in Harlequin attire. This suggests that he was seen as playing multiple roles or being deceptive in his actions. The composition and expressions on each face convey both humor and criticism towards those in power during that time period. The trimmed plate measures approximately 16 1/8 x 11 7/8 inches (41 x 30.2 cm), making it an impressive piece to behold. This print from Liszt Collection offers us a glimpse into history while reminding us of timeless themes such as political corruption and societal greed. It serves as a reminder that art can be used not only for aesthetic pleasure but also for thought-provoking reflection on our past and present realities.

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