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Initial D: Saint Anthony Raising a Dead Man
Wall Art and Photo Gifts from Liszt Collection
Initial D: Saint Anthony Raising a Dead Man
Initial D: Saint Anthony Raising a Dead Man; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium, Europe; about 1465 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 24.8 x 17.6 cm (9 3/4 x 6 15/16 in.), Justification: 15.6 x 10.8 cm (6 1/8 x 4 1/4 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12654131
© Quint Lox Limited
1465 1470 Belgium Brussels Colors Dead Flemish Initial Master Master Brussels Romule On Workshop Master Brussels Romuléon Workshop Probaby Raising Romule On Romuléon Saint Anthony Workshop Parchment Tempera
EDITORS COMMENTS
This print showcases the exquisite artwork of "Initial D: Saint Anthony Raising a Dead Man" by the Master of the Brussels Romuleon or workshop. Created in Flemish, this masterpiece dates back to around 1465 and is believed to have originated in Brussels, Belgium. The delicate details and vibrant colors come alive on this parchment canvas, measuring approximately 24.8 x 17.6 cm (9 3/4 x 6 15/16 in. ). The central focus of the composition is Saint Anthony, depicted with utmost skill and precision as he performs his miraculous act of raising a dead man back to life. Tempera colors, gold leaf, gold paint, and ink were expertly employed to bring depth and richness to every stroke. The intricate use of these materials adds an ethereal quality that enhances the spiritual significance portrayed within this scene. The smaller section surrounding the initial measures about 15.6 x 10.8 cm (6 1/8 x 4 1/4 in. ), providing a sense of balance within the overall composition while highlighting its importance. As you gaze upon this remarkable piece from the Liszt Collection, allow yourself to be transported back in time to witness both artistic mastery and religious devotion intertwine seamlessly on one sacred canvas. This print serves as a testament not only to the talent of its creator but also as a window into European art history during this period.
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