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Chelsea Bridge Church 1871 Etching drypoint fifth state
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Chelsea Bridge Church 1871 Etching drypoint fifth state
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14010159
© Copyrighted
1834 1903 1871 3 15 16 6 5 8 Albert Area Black Ink Drypoint Embankment Fifth State Glasgow Ivory Laid Paper James Mcneill Whistler Lowell Massachusetts Printed Resident Riverbank Thames Alter Chelsea Bridge Knew Old Church
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EDITORS COMMENTS
This print showcases the iconic Chelsea Bridge Church in 1871, captured through an exquisite etching drypoint technique. The fifth state of this artwork, expertly printed with black ink on ivory laid paper, beautifully portrays the architectural grandeur and historical significance of this Glasgow landmark. The plate measures 3 15/16 by 6 5/8 inches, making it a remarkable piece that captures every intricate detail of the church's design. Created by James McNeill Whistler, an esteemed American artist born in Lowell, Massachusetts in 1834 and later residing in London, this print reflects his keen eye for capturing the essence of a place. Whistler's unique perspective allows us to glimpse into a moment frozen in time. As we observe this image closely, we can almost imagine Whistler himself standing on the banks of the Thames River. He looks out towards the old church while contemplating its impending transformation due to the construction of the embankment. Chelsea Bridge Church holds great significance as it was situated near Albert Bridge and served as a focal point for residents living in this area. This print not only serves as a visual delight but also offers us a glimpse into history - reminding us how landscapes evolve over time and how even small alterations can significantly impact riverbanks and communities alike.
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