Drypoint Gallery

Drypoint is a printmaking technique that involves incising a design into a metal plate with a sharp tool

Ancient and Modern Jerusalem Map Engraving
Engraved illustration of Ancient and Modern Jerusalem Map Engraving from The Popular Pictorial Bible, Containing the Old and New Testaments, Published in 1862. Copyright has expired on this artwork

Travels of The Apostle Paul Map Engraving
Engraved illustration of the Travels of The Apostle Paul Map Engraving from The Popular Pictorial Bible, Containing the Old and New Testaments, Published in 1862

Berlin, Germany Map
Engraved illustrations of a Map of the City of Berlin, Germany from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork

Wanderings of the Israelites Map Engraving
Engraved illustration of Wanderings of the Israelites Map Engraving from The Popular Pictorial Bible, Containing the Old and New Testaments, Published in 1862. Copyright has expired on this artwork

A Sixty-Five Pounder Opening Fire, by James McBey, WW1
" Zero". A Sixty-Five Pounder Opening Fire, drypoint print by James McBey, First World War. Referring to a bombardment in Palestine in the early morning of 19 September 1918. 1920

The Last Supper
Antique illustration of The Last Supper Engraving

Maternal Caress, c. 1891. Creator: Mary Cassatt
Maternal Caress, c. 1891

Christ Preaching (La Petite Tombe), c. 1657. Creator: Rembrandt van Rijn (Dutch, 1606-1669)
Christ Preaching (La Petite Tombe), c. 1657

Unknown 1862 Felix Bracquemond French 1833-1914
An Unknown, 1862. Felix Bracquemond (French, 1833-1914), A. Cadart and F. Chevalier. Etching and drypoint; sheet: 32.7 x 48.3 cm (12 7/8 x 19 in.); platemark: 18.8 x 31.8 cm (7 3/8 x 12 1/2 in.)

Ecce Homo, 1655, by Rembrandt (1606-1669)
Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Ecce Homo, 1655. Rijksmuseum. Amsterdam. Holland

Francisco de Goya (Spanish, 1746-1828). Sopla. (Blow.), 1796-1797. From Los Caprichos, no. 69. Etching, aquatint, drypoint, and burin on cream laid paper. Plate: 210 mm x 150 mm (8.27 in. x 5.91 in.)

Francisco de Goya, El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique), Spanish

Seatetd Nude Woman from the Back. Creator: Jean Louis Forain (French, 1852-1931)
Seatetd Nude Woman from the Back

Self-portrait etching at a window, 1648, by Rembrandt (1606
Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Self-portrait etching at a window, 1648. Rijksmuseum. Amsterdam. Holland

A black-and-white aerial map of Vienna, Austria
Engraved illustrations of a Map of the City of Vienna, Austria from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork

Stonehenge Before and After Restoration Engraving
Very Rare, Beautifully Illustrated Antique Engraving of Stonehenge Before and After Restoration from Our Own Country, Great Britain, Descriptive, Historical, Pictorial. Published in 1880

Persberg Mines, Sweden
Engraved illustrations of Mining from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork. Digitally restored

Three Child Faces - From sketches by Paul Helleu (1859-1927). A French oil painter, pastel artist, drypoint etcher, and designer

Piano Lesson
Ellen et sa Grandmere. From a drypoint by Paul Helleu (1859-1927). A French oil painter, pastel artist, drypoint etcher, and designer

On the River, two women in a punt

Ypres after First Bombardment, by CRW Nevinson, WW1
Ypres after First Bombardment, drypoint print by Christopher Richard Wynn Nevinson, First World War. 1915-1916

Medick and Black Medick Victorian Botanical Illustration
Very Rare, Beautifully Illustrated Antique Engraved Botanical Illustration of Medick and Black Medick from The Flowering Plants and Ferns of Great Britain, Published in 1846

Fungi, Mushrooms, Algae and Non-Flowering Plants
Engraved illustrations of Representatives of the Algae, Fungi, Bryophyta, Polypodiophyta and other Non-Flowering Plants from Iconographic Encyclopedia of Science, Literature and Art

Cupid Engraving
Engraved illustrations of Cupid Engraving and Ancient Decorative Arts from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork

Folio of 97 etchings and drypoints of the Western Front, WW1
Page from a German folio of 97 drypoint etchings of the Western Front, 1914-1918, by W Schimmelpflug, 16th Dragoon Regiment. Two German soldiers walking along a country road. Date: 1916

Victorian Map of Europe
Engraved illustrations of Europe in the Time of Charlemagne from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork. Digitally restored

Paris, France Circa 1850 Engraving
Engraved illustrations of the City of Paris from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork. Digitally restored

London, England Circa 1850 Engraving
Engraved illustrations of the city of London, England from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork. Digitally restored

Special Geology Engraving
Engraved Illustrations of Special Geology Engraving from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork. Digitally restored

Repose, c.1934 (etching and drypoint, printed in colours)
985610 Repose, c.1934 (etching and drypoint, printed in colours) by Icart, Louis (1888-1950); 49x117 cm; Private Collection; (add.info.: Repose. Louis Icart (1888-1950)

Venus in the Waves, c. 1931 (colour etching and drypoint)
1195072 Venus in the Waves, c. 1931 (colour etching and drypoint) by Icart, Louis (1888-1950); 50.7x40.2 cm; Private Collection; Photo © Christies Images

Lady with Two Doves, 1922 (etching and drypoint, heightened with blue, red and green)
1195010 Lady with Two Doves, 1922 (etching and drypoint, heightened with blue, red and green) by Icart, Louis (1888-1950); 47x34.5 cm; Private Collection; Photo © Christies Images

Casanova, (drypoint and aquatint)
990998 Casanova, (drypoint and aquatint) by Icart, Louis (1888-1950); 51x33 cm; Private Collection; (add.info.: Casanova. Louis Icart (1888-1950). Drypoint and aquatint. 51 x 33cm

Spilled Milk, 1925 (colour etching and drypoint)
990944 Spilled Milk, 1925 (colour etching and drypoint) by Icart, Louis (1888-1950); 75x56 cm; Private Collection; (add.info.: Spilled Milk. Louis Icart (c.1888-1950). Colour etching and drypoint

Tosca, 1928 (colour etching and drypoint)
990943 Tosca, 1928 (colour etching and drypoint) by Icart, Louis (1888-1950); 54x34 cm; Private Collection; (add.info.: Tosca. Louis Icart (c.1888-1950). Colour etching and drypoint. Etched in 1928

Three Women Relaxing by a Screen, (etching and drypoint)
990942 Three Women Relaxing by a Screen, (etching and drypoint) by Icart, Louis (1888-1950); 56x46 cm; Private Collection; (add.info.: Three Women Relaxing by a Screen. Louis Icart (c.1888-1950)

Horsewoman, 1948 (colour etching and drypoint)
991035 Horsewoman, 1948 (colour etching and drypoint) by Icart, Louis (1888-1950); 66.5x55 cm; Private Collection; (add.info.: Horsewoman. Louis Icart (1888-1950). Colour etching and drypoint

Meditation, 1908 (drypoint printed in colours)
828014 Meditation, 1908 (drypoint printed in colours) by Milliere, Maurice (1871-1946); 71x55 cm; Private Collection; (add.info.: Meditation. Maurice Milliere (1871-1946)

Reclining Nude with Apples, (drypoint and etching)
990993 Reclining Nude with Apples, (drypoint and etching) by Icart, Louis (1888-1950); 55x74 cm; Private Collection; (add.info.: Reclining Nude with Apples. Louis Icart (1888-1950)

Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit)
1195011 Lady with Parrot, 1922 (etching and drypoint, heightened with blue, red, yellow and whit) by Icart, Louis (1888-1950); 47x34.5 cm; Private Collection; Photo © Christies Images

Arrival, c.1941 (etching and drypoint)
991016 Arrival, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44x31 cm; Private Collection; (add.info.: Arrival. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

Departure, c.1941 (etching and drypoint)
991015 Departure, c.1941 (etching and drypoint) by Icart, Louis (1888-1950); 44.5x31 cm; Private Collection; (add.info.: Departure. Louis Icart (1888-1950). Etching and drypoint. Etched circa 1941

La Poeme, (drypoint and aquatint)
990997 La Poeme, (drypoint and aquatint) by Icart, Louis (1888-1950); 45.2x54.5 cm; Private Collection; (add.info.: La Poeme. Louis Icart (1888-1950). Drypoint and aquatint. 45.2 x 54.5cm

Thoroughbreds, 1938 (colour etching and drypoint)
991034 Thoroughbreds, 1938 (colour etching and drypoint) by Icart, Louis (1888-1950); 47.5x89.5 cm; Private Collection; (add.info.: Thoroughbreds. Louis Icart (1888-1950)

The Sofa, c.1937 (etching and drypoint, mounted and framed)
991017 The Sofa, c.1937 (etching and drypoint, mounted and framed) by Icart, Louis (1888-1950); 44.3x66 cm; Private Collection; (add.info.: The Sofa. Louis Icart (1888-1950)

Behind the Fan, 1922 (etching and drypoint)
991013 Behind the Fan, 1922 (etching and drypoint) by Icart, Louis (1888-1950); 37.8x49.5 cm; Private Collection; (add.info.: Behind the Fan. Louis Icart (1888-1950). Etching and drypoint

Wisteria, 1940 (colour etching an drypoint)
985633 Wisteria, 1940 (colour etching an drypoint) by Icart, Louis (1888-1950); 45.5x55 cm; Private Collection; (add.info.: Wisteria. Louis Icart (1888-1950). Colour etching an drypoint

Hydrangeas, (etching and drypoint)
991012 Hydrangeas, (etching and drypoint) by Icart, Louis (1888-1950); 42x53.5 cm; Private Collection; (add.info.: Hydrangeas. Louis Icart (1888-1950). Etching and drypoint

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Drypoint is a printmaking technique that involves incising a design into a metal plate with a sharp tool. The design is then inked and printed onto paper or other materials. Drypoint produces an image with soft, velvety lines that are unique to this method, and is often used in combination with other techniques such as etching and aquatint to create more complex images, and are be used to create prints of any size, from small editions of postcards to large-scale artworks, and is also an affordable option for artists who may not have access to more expensive printing methods such as lithography or screen printing. Drypoint has been used by artists since the 15th century and continues to be popular today due to its versatility and expressive qualities.