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Jigsaw Puzzle : Elbowed out, britain and france elbowed out of leadership role in nato by the us, anti-us propaganda cartoon by boris yefimov published in soviet magazine krokodil, ussr, 1962
Jigsaw Puzzles from Universal Images Group (UIG)
Elbowed out, britain and france elbowed out of leadership role in nato by the us, anti-us propaganda cartoon by boris yefimov published in soviet magazine krokodil, ussr, 1962
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Media ID 9637675
© Sovfoto/Universal Images Group
Cold War Drawing Political Russian Satire Soviet Union Anti American Nato
Jigsaw Puzzle (520 Pieces)
Step back in time with our captivating jigsaw puzzle from Media Storehouse, featuring an intriguing historical image. This puzzle, based on an iconic 1962 anti-US propaganda cartoon by Boris Yefimov published in the Soviet magazine Krokodil, depicts Britain and France being 'elbowed out' of their leadership roles in NATO by the United States. With vivid colors and intricate details, this puzzle offers a unique look into Cold War history. Engage in a stimulating challenge and piece together this fascinating piece of the past.
Made in the USA, 520-piece puzzles measure 16" x 20" (40.6 x 50.8 cm). Every puzzle is meticulously printed on glossy photo paper, which has a strong 1.33 mm thickness. Delivered in a black storage cardboard box, these puzzles are both stylish and practical. (Note: puzzles contain small parts and are not suitable for children under 3 years of age.)
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 40.5cm x 50.8cm (15.9" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This thought-provoking political cartoon by Boris Yefimov, published in the Soviet magazine Krokodil in 1962, captures the tense dynamics of the Cold War era. Titled "Elbowed Out" it depicts Britain and France being pushed aside from their leadership roles within NATO by a dominant United States. The artist's use of satire and symbolism is evident as he portrays Uncle Sam, representing the US, forcefully pushing his way to the forefront while elbowing out his European counterparts. This visual representation reflects the growing influence and assertiveness of America during this period. Yefimov's anti-American sentiment is palpable through this artwork. By highlighting Britain and France being marginalized, he aims to criticize what he perceives as American dominance over its allies within NATO. The cartoon serves as a form of propaganda that seeks to undermine American leadership and promote solidarity among Soviet-aligned nations. Beyond its political message, this drawing also showcases Yefimov's artistic talent. His skillful use of lines and shading creates depth in each character's expression, conveying their surprise or resignation at being sidelined. As we reflect on this historical artifact today, it reminds us of the complex power dynamics that defined international relations during the Cold War. It serves as a testament to how art can be used not only for aesthetic purposes but also as a powerful tool for commentary on global politics.
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