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Jigsaw Puzzle : Marriage a la Mode: IV - The Toilette, c. 1743 (oil on canvas) (detail of 182092)
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Marriage a la Mode: IV - The Toilette, c. 1743 (oil on canvas) (detail of 182092)
PHD29756 Marriage a la Mode: IV - The Toilette, c.1743 (oil on canvas) (detail of 182092) by Hogarth, William (1697-1764); 70.5x90.8 cm; National Gallery, London, UK; (add.info.: also know as: The Countesss Morning Levee; detail showing the Countess and her lover, Silvertongue the lawyer; ); English, out of copyright
Media ID 22808270
© Bridgeman Images
Hairdresser Indian Servant Lots Page Boy Plotting Sale Screen
Jigsaw Puzzle (520 Pieces)
Bring the timeless beauty of art into your home with our exquisite jigsaw puzzles from Media Storehouse. Our latest addition features the intricate detail and vivid colors of "Marriage à la Mode: IV - The Toilette" by William Hogarth. This masterpiece, originally painted in 1743, showcases the elegance and opulence of the 18th century. Immerse yourself in the world of fine art as you piece together this challenging and rewarding puzzle. Each puzzle piece is meticulously cut to fit seamlessly into the puzzle, ensuring a fun and engaging experience for puzzle enthusiasts of all ages. Add this beautiful work of art to your collection and create a unique and captivating display in your home.
Made in the USA, 520-piece puzzles measure 16" x 20" (40.6 x 50.8 cm). Every puzzle is meticulously printed on glossy photo paper, which has a strong 1.33 mm thickness. Delivered in a black storage cardboard box, these puzzles are both stylish and practical. (Note: puzzles contain small parts and are not suitable for children under 3 years of age.)
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 40.5cm x 50.8cm (15.9" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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This print captures a detailed section of William Hogarth's iconic painting, "Marriage a la Mode: IV - The Toilette". Created in 1743, this oil on canvas masterpiece depicts the Countess and her lover, Silvertongue the lawyer, during an intimate moment known as "The Countess's Morning Levee". In this particular detail, we witness a scene filled with intrigue and hidden agendas. The presence of an Indian servant hints at the opulence and exoticism that characterized high society in 18th-century England. A page boy stands by attentively while the Countess engages in conversation with her lover. The room is adorned with luxurious furnishings such as screens and paintings, symbolizing wealth and status. However, beneath this façade lies a web of deceit as they plot their next move together. A hairdresser works diligently to perfect the Countess's appearance for an upcoming masquerade event. Perhaps she seeks to disguise herself further or use it as an opportunity for clandestine meetings. Every element within this detail tells its own story – from the masquerade ticket hinting at secret rendezvous to the sly expression on Silvertongue's face suggesting his cunning nature. As viewers delve into this intricate snapshot of aristocratic life, they are transported back in time to witness not only lavishness but also deception lurking behind closed doors. Hogarth masterfully captures these complexities through his meticulous brushstrokes and attention to detail.
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