Jigsaw Puzzle > Europe > Italy > Sicily > Palermo
Jigsaw Puzzle : Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo
Jigsaw Puzzles From Fondazione Alinari per la Fotografia
Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo
Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo Palermo Oratory of the Rosary of Santa Cita High Relief Late Baroque, Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1929 ca.. Date of Artwork:1711-1718 ca.. Artist:Serpotta Giacomo (1656-1732)
Anderson
ADA-F-029831-0000
Media ID 33149400
© Alinari Archives, Florence
Baroque Diet Draperylate Baroque Festoon Food Fruit Leaf Literature And Fiction Pilaster Strip Putto Solid Vegetal Element Or Composition
Jigsaw Puzzle (520 Pieces)
Discover the intricate beauty of the Baroque era with our latest addition to the Media Storehouse Jigsaw Puzzles collection. Featuring a captivating close-up of the window frame from Giacomo Serpotta's masterpiece, "Oratory of the Rosary of Santa Cita," this high relief puzzle takes you on a journey to the heart of Palermo's historic Oratory. With Anderson's exquisite Alinari photograph as your guide, piece together the intricate details of this Late Baroque masterpiece and bring the artistry of Giacomo Serpotta into your home. A perfect activity for puzzle enthusiasts and art lovers alike.
Made in the USA, 520-piece puzzles measure 16" x 20" (40.6 x 50.8 cm). Every puzzle is meticulously printed on glossy photo paper, which has a strong 1.33 mm thickness. Delivered in a black storage cardboard box, these puzzles are both stylish and practical. (Note: puzzles contain small parts and are not suitable for children under 3 years of age.)
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 50.8cm x 40.5cm (20" x 15.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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> Baroque architecture
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> Medieval architecture
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> Renaissance architecture
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> Renaissance art
> Baroque art
Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo
EDITORS COMMENTS
. This print captures a mesmerizing close-up view of the intricate window frame relief created by the skilled hands of Giacomo Serpotta. The photograph showcases a remarkable piece of artistry from the late Baroque period in all its glory. Located within the Oratory of the Rosary of Santa Cita in Palermo, this masterpiece is a testament to Serpotta's talent and craftsmanship. The high relief sculpture beautifully combines elements from various styles and periods such as Baroque and Renaissance-Baroque. The composition exudes an air of grandeur with its meticulously carved architectural details including pilaster strips adorned with decorative festoons and leaf motifs. Amidst this opulent setting stands a charming putto figure, adding an element of playfulness to the scene. Serpotta's attention to detail is evident not only in his portrayal of human figures but also in his depiction of vegetal elements like leaves and fruits that add depth and texture to the artwork. The drapery on display further accentuates his mastery over sculpting fabric folds. Dating back to around 1711-1718, this exquisite piece transports us back in time, allowing us to appreciate both its artistic significance and historical context. It serves as a reminder that art has always been intertwined with literature, fashion, culture, and society throughout different epochs. Anderson's skillful photography preserves every nuance captured within this image while paying homage to Serpotta's genius. This print invites viewers into a world where beauty meets history—a visual feast for those who appreciate fine art from Europe's first and second millenniums.
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