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Womans Wrongs, 1874. Artist: Joseph Swain
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Womans Wrongs, 1874. Artist: Joseph Swain
Womans Wrongs, 1874. A brutish working-class husband prepares to beat his wife who still bears the insignia of previous violence. The man tells his terrified wife that the authorities are not interested, as he throws at her the newspaper in which the comments printed in the caption to this cartoon are reported. In the House of Commons, the matter of violence towards women within marriage had been raised, but Disraeli seemed to use the occasion to gain laughs, whilst allowing the matter to be shelved again. From Punch, or the London Charivari, May 30, 1874
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Media ID 14831265
© The Print Collector / Heritage-Images
Afraid Alarm Bandage Bandages Beaconsfield Beating Benjamin Benjamin Disraeli Brutality Crying Despair Disraeli Dizzy Domestic Violence Earl Of Beaconsfield Frighten Frightened Frightening Heritage Image Partnership Husband Injured Injury John Tenniel Joseph Swain Lord Lord Beaconsfield Scared Sir John Tenniel Sling Social Class Swain Tenniel Terrifying Violence Violent Viscount Hughendon Of Hughendon Whip Wife Working Class
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Womans Wrongs, 1874
EDITORS COMMENTS
is a powerful and thought-provoking print that captures the harsh reality of domestic violence within marriage during the 19th century. Created by Joseph Swain, this engraving depicts a brutish working-class husband preparing to inflict further harm upon his already injured wife. The woman, bearing visible signs of previous violence, cowers in fear as her husband menacingly brandishes a whip. He callously dismisses any hope for justice or intervention from the authorities, throwing at her a newspaper containing comments that highlight society's indifference towards such atrocities. This cartoon reflects the social class divide prevalent in Victorian Britain and exposes the terrifying brutality faced by women trapped in abusive relationships. The artist's use of monochrome adds to the intensity and despair portrayed in this scene. Furthermore, "Womans Wrongs" criticizes political figures like Benjamin Disraeli who used serious discussions on violence against women as an opportunity for amusement rather than meaningful action. Disraeli's disregard for this pressing issue allowed it to be conveniently shelved once again. As we observe this haunting image today, it serves as a reminder of how far society has come in addressing domestic violence while highlighting the importance of continued efforts to combat such injustices. This heritage print stands as both an artistic masterpiece and a poignant symbol of resilience against gender-based violence.
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