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Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622

Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622


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Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622

Woman and Man Seated on Lionskin, Man Pouring Wine, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

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Media ID 20565951

© Heritage Art/Heritage Images

Alcohol Battista Franco Battista Franco Veneziano Cut Out Enea Enea Vico Ex Antiquis Cameorum Giovanni Battista Franco Lion Skin Pelt Philippe Philippe Thomassin Pouring Thomassin Thomassin Philippe Veneziano Veneziano Battista Franco Vico Vico Enea Wine Nakedness


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cats (Wild) > Lion

> Arts > Artists > F > Battista Franco

> Arts > Artists > T > Philippe Thomassin

> Arts > Artists > V > Enea Vico

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Europe > Italy > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This photo print, titled "Woman and Man Seated on Lionskin, Man Pouring Wine" takes us back to the 16th century. The image portrays a scene of utmost elegance and intimacy. A naked man is seated on a lionskin, pouring wine into a goblet held by a beautiful woman beside him. The engraving, formerly attributed to Enea Vico but now unknown, showcases the exquisite craftsmanship of Italian artist Battista Franco or Veneziano. The attention to detail is remarkable as every line etched onto the paper brings life to this timeless moment. The composition is set against a backdrop of nature with trees and plants surrounding the couple. It evokes a sense of tranquility and harmony between humans and their environment. As we delve deeper into this artwork's narrative, we are left wondering about the relationship between these two individuals. Are they lovers sharing an intimate moment? Or perhaps they represent allegorical figures symbolizing love or fertility? Regardless of its original intention, this piece from The Metropolitan Museum of Art's collection continues to captivate viewers with its beauty and mystery. It serves as a reminder that art has the power to transcend time and connect us with our shared human experiences.

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