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View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number... 1819/21. Creator: John Hill

View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number... 1819 / 21. Creator: John Hill


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View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number... 1819/21. Creator: John Hill

View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of American Scenery, 1819/21

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Media ID 36196894

© Heritage Art/Heritage Images

Hill John John Hill John I Hill Joshua Shaw Napoleonic Wars Shaw Joshua Woods


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > John Hillers

> Arts > Artists > H > John Hills

> Arts > Artists > H > Robert Hills

> Arts > Artists > S > Joshua Shaw

> Arts > Artists > W > John Wood

> Arts > Landscape paintings > Forest and woodland scenes > Landscape paintings

> Arts > Landscape paintings > Forest and woodland scenes > Nature-inspired art

> Arts > Realistic drawings > Landscape drawings > Fine art

> Arts > Realistic drawings > Landscape drawings > Nature-inspired artwork

> North America > United States of America > Maryland > Baltimore


EDITORS COMMENTS
This aquatint with etching and hand coloring on cream wove paper, titled 'View of the Spot Where General Ross Fell, Near Baltimore,' is an exquisite 19th-century artwork by John Hill. Created between 1819 and 1821, this masterpiece is a testament to the artistic prowess of the American landscape tradition. The scene depicts a tranquil woodland setting, where the remnants of a bygone era intermingle with the natural beauty of the forest. At the heart of the composition lies the poignant memory of the spot where General Robert Ross, a British military commander during the Napoleonic Wars, fell during the Battle of Baltimore on September 12, 1814. The image captures a lone rider, believed to be General Ross, horseback among the trees, with his horse rearing up in a dramatic pose. The surrounding landscape is dotted with horses and men, adding a sense of scale and activity to the scene. The richly colored foliage, with its vibrant greens and reds, contrasts beautifully with the earthy browns and grays of the forest floor. The artist, John Hill, expertly employs the aquatint technique to create a sense of depth and texture, while the intricate etching details bring the scene to life. This evocative artwork, plate six of the first number of Picturesque Views of American Scenery, is a poignant reminder of the past and the enduring beauty of nature. It invites us to explore the heritage of American art and the stories that lie within its landscapes.

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