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The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler
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The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler
The Trial Sermon, 1862, (1923). James Abbott McNeill Whistler (1834-1903) was an American artist, active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and was a leading proponent of the credo art for arts sake. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme. [The Studio, Ltd. London, 1923]
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Media ID 14988223
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British Book Illustration Dark Fireside Geoffrey Geoffrey Holme Holme Ja Mcneill Whistler James Abbot Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneil Whistler James Mcneill James Mcneill Whistler Practicing Practising Sermon The Studio Whistler
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The Trial Sermon
EDITORS COMMENTS
is a captivating print that transports us back to the 19th century, capturing a moment of intense concentration and contemplation. Painted by James Abbott McNeill Whistler, an influential American artist of the Gilded Age, this artwork showcases his aversion to sentimentality and moral allusion in painting. The scene unfolds within the cozy confines of an elegant British interior. Two individuals, a man and a woman, are engrossed in their own worlds as they sit by the fireside. The dimly lit room creates an atmosphere of mystery and intrigue, with shadows dancing on the walls. The man sits at a table adorned with books and magazines, deep in thought as he practices his sermon. His face reflects determination mixed with introspection. On the other side of the fireplace, we see a lady lost in her own literary world. Perhaps she seeks solace or inspiration from her reading material. Whistler's masterful use of monochrome adds depth to this black-and-white composition. Every line and contour is meticulously captured, highlighting both the subjects' physical features and their emotional states. "The Trial Sermon" not only captures a specific moment frozen in time but also serves as a testament to Whistler's artistic philosophy: art for art's sake. This print allows us to appreciate Whistler's skillful execution while immersing ourselves in this intimate scene from another era.
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