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Tahitiennes Au Mango, 1936. Artist: Paul Gauguin
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Tahitiennes Au Mango, 1936. Artist: Paul Gauguin
Tahitiennes Au Mango, 1936. Two Tahitian Women, 1899, located at Metropolitan Museum of Art, New York, USA. From Paul Gauguins Intimate Journals. [Crown Publishers, New York, 1936]
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Media ID 15341281
© The Print Collector / Heritage-Images
Bare Chested Beautiful Beauty Breast Breasts Eugene Henri Paul Gaugin Eugène Henri Paul Gauguin French Polynesia French School Gaugin Gauguin Otaheite Paul Paul Gaugin Paul Gauguin Polynesia Polynesian Post Impressionism Post Impressionist Sensual Tahiti Tahitian Voluptuous Windward Islands Work Of Art Impressionist
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Caption: "Tahitiennes Au Mango, 1936" by Paul Gauguin - A Captivating Glimpse into Tahitian Beauty This print of "Tahitiennes Au Mango, 1936" takes us back to the enchanting world of French Polynesia in the late 19th century. Created by renowned artist Paul Gauguin, this masterpiece showcases two Tahitian women amidst a lush tropical setting. The painting is currently housed at the Metropolitan Museum of Art in New York City. Gauguin's artistic style blends elements of Impressionism and Post-Impressionism, capturing the essence and allure of these native women with his brushstrokes. The vibrant colors evoke a sense of warmth and sensuality as they illuminate their bare-chested bodies against the backdrop of abundant mango trees. The artist's fascination with Tahitian culture is evident through his portrayal of these women holding ripe fruits, symbolizing fertility and abundance. Their natural beauty shines through their expressive faces and voluptuous figures, reflecting Gauguin's admiration for their unique charm. "Tahitiennes Au Mango" invites viewers to appreciate the inherent grace and allure found within different cultures. It serves as a testament to Gauguin's deep connection with French Polynesia during his time there, where he sought refuge from Western civilization in search for an unspoiled paradise. As we gaze upon this work of art captured by Eugene Henri Paul Gaugin himself, we are transported to a
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