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St George's, Bloomsbury, 1844. Creator: Unknown
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St George's, Bloomsbury, 1844. Creator: Unknown
St George's, Bloomsbury, 1844. This singular structure, situated in Hart-street, Bloomsbury-square, is one of the fifty new churches appointed to be built at the public expense, by the Act of Parliament passed in the tenth year of the reign of Queen Anne; it was consecrated in 1731...it was designed by Nicholas Hawksmoor...its most admired feature is the magnificent portico of eight Corinthian columns...Walpole calls the steeple a masterpiece of absurdity...Above this stage commences a series of steps, gradually narrowing, so as to assume a pyramidal appearance, the lowest being ornamented at the corners by lions and unicorns, and supporting at the apex of the steps, on a short column, a statue in Roman costume of George I...Elsewhere it has been remarked that Hawksmoor has literally made the king the head of the church'. From "Illustrated London News", 1844, Vol I
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Media ID 20369781
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Bloomsbury Bloomsbury Camden London England Camden Church Of St George Corinthian Duke Of Brunswick Luneburg George I George I King Of Great Britain George I Louis George I Of Great Britain Hanover Hanover George I Louis King Of Britain Hawksmoor King George I Of Great Britain King Of Great Britain Neo Classical Neo Classicism Neoclassical Nicholas Nicholas Hawksmoor Portico Pyramid Spire St Georges Church Church Of St Illustrated London News Neoclassicism
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St George's, Bloomsbury - A Timeless Masterpiece of Neoclassical Architecture
EDITORS COMMENTS
. This print captures the grandeur and elegance of St George's, Bloomsbury in 1844. Designed by the renowned architect Nicholas Hawksmoor, this church stands as a testament to his genius and creativity. The most striking feature of this magnificent structure is its portico adorned with eight Corinthian columns. These pillars exude strength and grace, inviting visitors into a world of divine beauty. As we gaze upon the image, we are drawn to the steeple that has been described as both absurd and masterful. Its unique design captivates our imagination, leading us on a visual journey towards an apex where a statue of King George I stands proudly in Roman attire. Hawksmoor's vision for St George's goes beyond mere architectural brilliance; he ingeniously intertwines religion and monarchy. By placing King George I at the pinnacle of this sacred space, he symbolically makes the king the head of the church itself. This neoclassical gem nestled amidst Hart Street in Bloomsbury Square was consecrated in 1731 but continues to inspire awe even centuries later. It serves as one of fifty churches built under Queen Anne's Act at public expense. Through this remarkable engraving from "Illustrated London News" we are transported back to an era when artistry met spirituality seamlessly. The image speaks volumes about British heritage, showcasing not only architectural prowess but also reflecting society's deep-rooted Christian values. Indeed, St George's remains an enduring testament to human ingenuity and devotion—a timeless masterpiece etched forever within Britain's cultural tapestry.
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