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St. Andrew, mid-late 19th century. Creator: Leighton Brothers

St. Andrew, mid-late 19th century. Creator: Leighton Brothers


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St. Andrew, mid-late 19th century. Creator: Leighton Brothers

St. Andrew, mid-late 19th century. Saint Andrew carrying his cross. Andrew was said to have been martyred by crucifixion on an X-shaped cross, (or saltire, commonly known as a Saint Andrews Cross). This was supposedly done at his own request, as he felt himself unworthy to be crucified on the same type of cross as Jesus

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Media ID 18775986

© The Print Collector/Heritage Images

Andrew Blair Cross Crosses Crucified Crucifixion George C George C Leighton Halo Leighton Saint Andrew St Andrew Wilhelm Kandler Saltire


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EDITORS COMMENTS
This print showcases a stunning depiction of St. Andrew, created by the talented Leighton Brothers in the mid-late 19th century. The image portrays Saint Andrew carrying his cross, symbolizing his martyrdom through crucifixion on an X-shaped cross, also known as a Saint Andrews Cross or saltire. What makes this portrayal particularly intriguing is that it is believed to have been done at Andrew's own request, as he deemed himself unworthy to be crucified on the same type of cross as Jesus. The artwork beautifully captures the essence of religious devotion and sacrifice. St. Andrew stands tall and resolute, with a halo adorning his head, signifying his saintly status. The engraving technique employed by Leighton Brothers adds depth and texture to the piece while enhancing its overall visual impact. Leighton Brothers' attention to detail shines through in every aspect of this print – from the intricate woodwork surrounding St. Andrew to the vibrant colors used throughout. This Victorian-era masterpiece serves not only as a testament to Christian faith but also as a reminder of artistic excellence during that period. Preserved over time, this remarkable artwork now finds itself within The Print Collector collection curated by George Cargill Leighton and Wilhelm Kandler (not related to any company). It continues to inspire awe and reverence among those who appreciate both religious iconography and historical artistry alike.

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