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The Smoker, 1866. Artist: Edouard Manet

The Smoker, 1866. Artist: Edouard Manet


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The Smoker, 1866. Artist: Edouard Manet

The Smoker, 1866. The painting reflects a comfortable and friendly relationship between Manet the artist, and the unknown smoking man

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Media ID 14868916

© Art Media / Heritage-Images

Douard Manet Edouard Edouard Manet Elderly Manet Pipe Relaxed Smoker Impressionist Print Collector2


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> Arts > Artists > Edouard Manet

> Arts > Artists > M > Edouard Manet

> Arts > Contemporary art > Portraits > Impressionism

> Arts > Impressionist paintings > Impressionism paintings

> Arts > Impressionist paintings > Impressionist art > Édouard Manet

> Arts > Impressionist paintings > Impressionist art

> Arts > Impressionist paintings


The Smoker, 1866

EDITORS COMMENTS
by Edouard Manet captures a moment of intimate connection between the artist and an unknown elderly man. In this portrait, Manet skillfully portrays the essence of a relaxed and contented smoker in 19th-century France. The painting showcases the mastery of impressionism as it beautifully depicts the play of light and color on the subject's face, emphasizing his rugged beard and weathered features. The vibrant hues used by Manet create a sense of warmth and familiarity within this artistic encounter. Manet's choice to focus on the act of smoking not only reflects societal norms at that time but also serves as a symbol for camaraderie between two individuals. The pipe becomes an extension of the man's personality, embodying his character and experiences. This artwork is emblematic of Manet's ability to capture human emotions through his brushstrokes. It invites viewers into a world where conversation flows effortlessly amidst puffs of smoke, transcending language barriers or social divides. As we gaze upon "The Smoker" we are reminded that art has no boundaries – it connects people across time and space. This print allows us to appreciate both Edouard Manet's artistic genius and our shared humanity with those who lived centuries before us.

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