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Simple Bodily Pain, 1800. 1800. Creator: Thomas Rowlandson

Simple Bodily Pain, 1800. 1800. Creator: Thomas Rowlandson


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Simple Bodily Pain, 1800. 1800. Creator: Thomas Rowlandson

Simple Bodily Pain, 1800

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Media ID 19987941

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Brun Brun Charles Le Charles Le Charles Le Brun Charles Lebrun Domestic George Moutard George Moutard Woodward Hitting Household Le Brun Le Brun Charles Lebrun Lebrun Charles Pain R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Thomas Rowlandson Woodward Woodward George Moutard Hand Coloured Hand Tinted Hurting Injuring


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > B > Charles Le Brun

> Arts > Artists > L > Charles Le Brun

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > George Moutard Woodward

> Arts > Artists > W > Thomas Woodward

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
The print titled "Simple Bodily Pain, 1800" captures a satirical scene from the 19th century by Thomas Rowlandson. In this hand-tinted etching, Rowlandson humorously portrays the concept of domestic pain and injury in British society. The artwork showcases a household setting where both men and women are depicted experiencing various forms of bodily discomfort. Rowlandson's intricate detailing and use of color bring to life the comical scenarios portrayed within the image. A man is shown hitting his thumb with a hammer, while a woman clutches her ear in agony, highlighting relatable instances of everyday mishaps that result in simple bodily pain. This piece exemplifies Rowlandson's talent for satire as he playfully mocks human vulnerability and our ability to find humor even in moments of distress. The artist's keen observation skills are evident through his portrayal of different characters engaging with their surroundings. Preserved at The Metropolitan Museum of Art, this print serves as an important historical artifact showcasing not only Rowlandson's artistic prowess but also providing insight into social dynamics during the 19th century in Britain. It reminds us that despite advancements over time, physical discomfort remains an inherent part of human existence - one that can be laughed at and shared among individuals across generations.

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