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Four Scenes: How to Ride Genteel & Agreeable Down Hill;How to be Run Away With

Four Scenes: How to Ride Genteel & Agreeable Down Hill;How to be Run Away With


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Four Scenes: How to Ride Genteel & Agreeable Down Hill;How to be Run Away With

Four Scenes: How to Ride Genteel & Agreeable Down Hill; How to be Run Away With; The Mistaken Notion; How to Loose Your Way, 1787 or later

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Media ID 22177513

© Heritage Art/Heritage Images

Bunbury Henry William Equestrian Gambado Geoffrey Geoffrey Gambado Georgian Hand Colored Etching Henry Bunbury Henry William Bunbury Horseman Horsemen Riders Parody Satirical


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Horses > Related Images

> Animals > Mammals > Horse > Related Images

> Arts > Artists > B > Henry William Bunbury

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This hand-colored etching from the 18th or 19th century showcases "Four Scenes: How to Ride Genteel & Agreeable Down Hill; How to be Run Away With; The Mistaken Notion; How to Loose Your Way". Created by an unknown artist, this artwork is a satirical and humorous take on equestrianism in Britain during the Georgian era. The print features four comical scenes depicting various horseback riding mishaps. From a genteel and graceful descent down a hill to being hilariously carried away by a runaway horse, these caricatures capture the whimsical nature of horsemanship at that time. The exaggerated costumes and expressions add charm and wit to each scene. Henry William Bunbury, also known as Geoffrey Gambado, might have been involved in creating this piece since his name is associated with similar satirical prints of the period. However, the exact artist remains unidentified. Displayed at The Metropolitan Museum of Art (The Met), this artwork offers insight into both British society's fascination with horses and their love for satire during the 18th and 19th centuries. It serves as a reminder of how art can reflect cultural trends while providing entertainment through its clever parody.

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