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San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler

San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler


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San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler

San Biagio, c1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

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Media ID 14969216

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Adam And Charles Adam And Charles Black Arched Drypoint Ja Mcneill Whistler James Abbot Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneil Whistler James Mcneill James Mcneill Whistler Menpes Mortimer L Mortimer L Menpes Mortimer Luddington Menpes Mortimer Menpes Tuscany View To Land Whistler Whistler As I Knew Him Faaade Montepulciano San Biagio


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> Animals > Birds > Passerines > Whistlers > Related Images

> Architecture > Country > Italy > Related Images

> Architecture > Styles > Adam Architecture

> Arts > Artists > M > Mortimer Menpes

> Arts > Artists > W > James Abbott McNeill Whistler

> Arts > Artists > W > James McNeill Whistler

> Europe > Italy > Tuscany > Related Images

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This photo print, titled "San Biagio, c1879" captures the essence of 19th-century Italy. Taken by renowned artist James Abbott McNeill Whistler, this image showcases the stunning architecture and natural beauty of Tuscany. The photograph transports us to a picturesque scene in Montepulciano, where we find ourselves on the water surrounded by boats. The view from this vantage point allows us to appreciate the grandeur of San Biagio's facade as it stands proudly against the backdrop of rolling hills. Whistler's mastery is evident in his use of monochrome tones that emphasize both the intricate details of the building exterior and its harmonious integration with nature. The arched entrance draws our attention towards a vista that promises an enchanting exploration beyond. As we observe this snapshot frozen in time, we can't help but imagine what life was like during that era - bustling with people going about their day amidst such breathtaking surroundings. This print serves as a window into history, capturing not only architectural brilliance but also providing insight into transportation methods prevalent at that time. "San Biagio, c1879" is part of Mortimer Menpes' publication "Whistler As I Knew Him" which further adds to its significance as a historical artifact. It reminds us why Whistler remains one of art history's most celebrated figures - his ability to capture moments so beautifully through etching and drypoint techniques. This remarkable piece invites

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