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Richard and the Master of St. John, 1191 (1864). Artist: James William Edmund Doyle
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Richard and the Master of St. John, 1191 (1864). Artist: James William Edmund Doyle
Richard and the Master of St. John, 1864. Richard I, (8 September 1157 - 6 April 1199) confers with Godfrey de Duisson, the Master of St John in 1191. From A Chronicle of England B.C. 55 - A.D. 1485 by James E. Doyle. [Longman, Green, Longman, Roberts & Green, London, 1864]
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Media ID 14990725
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Chronicle Of England Crusades Doyle His Majesty James Doyle James William Edmund James William Edmund Doyle King Of England King Of England Lionheart King Richard I Longman Longman Co Pointing Richard Richard Coeur De Lion Richard I Richard L Richard The Lionheart Roberts Green Shield Talking Third Crusade Conferring Hand Gesture
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EDITORS COMMENTS
In this print titled "Richard and the Master of St. John, 1191" we are transported back to a significant moment in history. The artist, James William Edmund Doyle, skillfully captures the essence of Richard I, also known as Richard the Lionheart, conferring with Godfrey de Duisson, the Master of St. John. Set against an outdoor backdrop in England during the 12th century, this image portrays a scene filled with religious undertones and political significance. King Richard I stands tall and regal, pointing towards something unseen while engaging in conversation with Godfrey de Duisson. Both men exude power and authority as they discuss matters that could shape their country's destiny. The presence of weapons such as swords and shields hints at the ongoing warfare prevalent during that era - specifically referencing the Third Crusade which took place from 1189 to 1192. This historical context adds depth to our understanding of this encounter between two influential figures. James E. Doyle's engraving beautifully captures every intricate detail - from the expressions on their faces to their hand gestures - bringing this pivotal moment vividly to life for viewers today. This remarkable print serves as a window into history; it allows us to witness firsthand how religion intertwined with politics during medieval times. It is a testament not only to Doyle's artistic talent but also to his ability to transport us back in time through his work.
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