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Reproduction of print showing: Madonna and Archangel Gabriel, between 1915 and 1925. Creator: Martin Schongauer

Reproduction of print showing: Madonna and Archangel Gabriel, between 1915 and 1925. Creator: Martin Schongauer


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Reproduction of print showing: Madonna and Archangel Gabriel, between 1915 and 1925. Creator: Martin Schongauer

Reproduction of print showing: Madonna and Archangel Gabriel, between 1915 and 1925. Photograph of Annunciation engraving, 1490-91, by Martin Schongauer

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Media ID 36254147

© Heritage Art/Heritage Images

Angel Gabriel Annunciation Archangel Archangel Gabriel Gabriel Lantern Slide Lantern Slides 1910 1930 Gmgpc Lilies Lily Martin Schongauer Mary Virgin Northern Renaissance Our Lady Of Refuge Reproduction Saint Mary Schongauer Martin St Mary Stella Maris The Virgin Mary Virgin Mother


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EDITORS COMMENTS
This photograph showcases a reproduction of Martin Schongauer's engraving, "Madonna and Archangel Gabriel," created between 1915 and 1925. The original engraving dates back to 1490-91, making it a significant work of art from the Northern Renaissance period. The image depicts the Annunciation, a pivotal moment in Christian theology when the Archangel Gabriel announces to the Virgin Mary that she will conceive and bear the Son of God. Schongauer masterfully captures the essence of this biblical narrative, with Mary, depicted as the Virgin Mary or Our Lady of Refuge, seated in a contemplative pose, her hands folded in prayer. The Archangel Gabriel, with his wings spread, stands before her, bearing the lily, a symbol of purity and the announcement of the birth of Jesus. The intricate details of the engraving are beautifully captured in this photograph, allowing viewers to appreciate the delicate flower motifs and the subtle textures of the robes and wings. The use of contrast in the black and white image adds depth and dimension to the artwork, highlighting the intricacies of the engraving. This photograph, which is part of the Lantern Slide collection at the Library of Congress, dates from the 1910s to the 1930s and serves as an important historical record of this iconic work of art. It is a testament to the enduring legacy of Martin Schongauer and the profound impact of his art on the heritage of Christian art and culture.

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