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Reclining Figures (David in Sauls Camp), c1905. Artist: John Singer Sargent

Reclining Figures (David in Sauls Camp), c1905. Artist: John Singer Sargent


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Reclining Figures (David in Sauls Camp), c1905. Artist: John Singer Sargent

Reclining Figures (David in Sauls Camp), c1905. Held in the Museum of Fine Arts Boston, Boston. From The Studio Volume 19. [London Offices of the Studio, London, 1900]

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Media ID 14966614

© The Print Collector

Barechested Boston David John Singer John Singer Sargent Leaning Leaning On Elbow Museum Of Fine Arts Reclining Sargent Saul Semi Dress Semi Naked Singer Sargent Studio Publications Studio Volume 19 Old Testament


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> Arts > Artists > John Singer Sargent > Portrait paintings

> Arts > Artists > John Singer Sargent

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> Arts > Street art graffiti > Portraits > Fine art

> Europe > United Kingdom > England > London > Towns > Bow


EDITORS COMMENTS
This print showcases John Singer Sargent's masterpiece, "Reclining Figures (David in Sauls Camp)" created around 1905. Held in the prestigious Museum of Fine Arts Boston, this artwork is a testament to Sargent's exceptional talent and artistic vision. The photograph captures three male figures outdoors, leaning on their elbows with an air of tranquility. The central figure, believed to be David from the Old Testament, exudes strength and confidence as he reclines bare-chested, bow by his side. His companions flank him on either side, creating a harmonious composition that reflects religious undertones. Sargent's attention to detail is evident in every aspect of this portrait. From the subtle expressions on each man's face to the intricate folds of their semi-dressed attire, every element adds depth and realism to the scene. The play of light and shadow further enhances the overall ambiance. Dating back to the early 20th century, this print offers viewers a glimpse into history while showcasing Sargent's mastery of capturing human form and emotion. It serves as a reminder of art's ability to transcend time and evoke powerful emotions within its audience. As part of "The Studio Volume 19" publication by London Offices of The Studio in 1900s, this image has been preserved for generations thanks to dedicated collectors like Print Collector29. Its presence within the Museum of Fine Arts Boston ensures that it continues to inspire visitors with its beauty and significance today

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