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Portrait of the Earl of Mayo, c1891. Creator: James Grant
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Portrait of the Earl of Mayo, c1891. Creator: James Grant
Portrait of the Earl of Mayo, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]
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Media ID 25322588
© The Print Collector/Heritage Images
British India British Raj Cassell Petter Galpin Cassells Illustrated History Of India Conservative Conservative Party Earl Galpin Grant James Imperialism India Asia Ireland Irish James Grant Petter And Petter And Galpin The Raj Tory Viceroy Viceroy Of India Aristocracy Aristocrat British Empire Cassell Earl Of Mayo Hindoostan Lord Mayo Politicians Richard Southwell Bourke
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EDITORS COMMENTS
This black and white portrait print, titled "Portrait of the Earl of Mayo, c1891" captures the essence of aristocracy in 19th century British India. Created by James Grant for his renowned book "Cassells Illustrated History of India Vol. II" this image showcases the distinguished figure of Richard Southwell Bourke, the 6th Earl of Mayo. The photograph exudes an air of power and authority as Lord Mayo stands confidently before us. As a prominent politician and statesman, he served as Viceroy to India during a crucial period in its history. His conservative ideals and leadership played a significant role in shaping British colonialism on the Indian subcontinent. Grant's artistic prowess is evident in this beautifully composed portrait that highlights every intricate detail from Lord Mayo's regal attire to his dignified expression. The use of black and white adds depth to the image, emphasizing both its historical significance and timeless appeal. This print transports us back to an era when Britain held sway over vast territories across the globe. It serves as a reminder not only of Lord Mayo's influential role but also reflects upon broader themes such as imperialism, politics, and cultural exchange between nations. As we gaze upon this remarkable piece from James Grant's collection, we are reminded once again that art has the power to encapsulate history within its frames while evoking emotions that transcend time itself.
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