Pope Pius VI taking leave of the Augustinian monks in Siena, 1801

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Pope Pius VI taking leave of the Augustinian monks in Siena, 1801

Pope Pius VI taking leave of the Augustinian monks in Siena, 26 May 1798, 1801

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Media ID 23876055

© Heritage Art/Heritage Images

Augustinian Benediction Blessing Cardinal Cardinals Carriage Coach Crying Emotional Giovanni Angelo Braschi Hand Gestures Monk Monks Pope Pope Pius Vi Siena Siena Tuscany Italy Train Upset Weeping Hand Gesture Posture Roman Catholicism

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> Europe > Italy > Tuscany > Siena

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

EDITORS COMMENTS
The print captures a poignant moment in history as Pope Pius VI bids farewell to the Augustinian monks in Siena. Taken on May 26,1798, and engraved by Girolamo Carattoni in the 19th century, this image exudes emotion and significance. The scene unfolds with the Pope standing outside his carriage, surrounded by cardinals and men of faith. Dressed in traditional religious attire, their clothing symbolizes their commitment to Catholicism. Pope Pius VI's hand gestures convey a sense of blessing and benediction upon the monks who kneel before him. As he prepares to depart from Siena, tears stream down his face while some of the monks also weep openly. This display of raw emotion reflects the deep bond between spiritual leaders and those they guide. The location adds to the historical context as Siena is known for its rich religious heritage. The Metropolitan Museum of Art houses this engraving today, preserving it as an important piece of cultural history. This image serves as a reminder of the power religion holds over people's lives and highlights the profound impact that spiritual leaders can have on their followers' emotions. It encapsulates both personal sorrow at parting ways with loved ones and collective grief for an uncertain future. Girolamo Carattoni's skillful craftsmanship immortalizes this significant moment in time, allowing viewers to reflect on its meaning centuries later.

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