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Pieta, c. 1686. Creator: Filippo Parodi

Pieta, c. 1686. Creator: Filippo Parodi


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Pieta, c. 1686. Creator: Filippo Parodi

Pieta, c. 1686

Heritage Images features heritage image collections

Media ID 24038723

© Heritage Art/Heritage Images

Amorini Angelic Cherubim Cherubs Crown Of Thorns Crucified Crucifixion Dead Dead Body Distraught Distress Distressed Grief Grieving Hammer Painting And Sculpture Of Europe Piet And Xe0 Pieta Pliers Terracotta Tools Virgin Of Sorrows Cherub Nakedness Nudity Putti


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EDITORS COMMENTS
This print showcases Filippo Parodi's "Pieta" from 1686, a masterpiece that embodies the essence of 17th-century art. The sculpture depicts the heart-wrenching scene of Jesus Christ's lifeless body cradled in the arms of his grieving mother, the Virgin Mary. Parodi skillfully captures every detail with his terracotta medium, bringing forth an array of emotions. The composition is adorned with cherubs and putti, angelic figures symbolizing innocence and divine intervention. Their presence adds a poignant touch to this religious artwork, emphasizing both sorrow and hope. The artist's meticulous craftsmanship is evident in every stroke and contour, highlighting the distress on Mary's face as she mourns her beloved son. Parodi masterfully conveys the anguish felt by all those affected by Christ's crucifixion through intricate details such as the crown of thorns and tools used during his torment – hammers and pliers lie nearby as reminders of his suffering. This piece serves not only as a religious icon but also as a testament to human vulnerability and resilience in times of immense grief. Displayed at the Art Institute Chicago, this ceramic sculpture stands tall among other renowned works within its gallery walls. Its historical significance makes it an invaluable part of our artistic heritage; it represents Italy's rich cultural legacy while transcending time with its universal themes. As we gaze upon this profound image captured by Heritage Images, we are reminded once again that great art has no boundaries – it speaks

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