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Notice to Quit, 1861
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Notice to Quit, 1861
Notice to Quit, 1861. Pope Pius IX, dressed as a cook with her papal crown partially hidden by a large mob cap, is being given notice by the master of the house, Louis Napoleon. The pope, with his team of brigands hiding under the table, is attempting to stop Louis Napoleon breaking with the Church. From Punch, or the London Charivari, September 14, 1861
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Media ID 14829335
© The Print Collector / Heritage-Images
Bonaparte Charles Louis Napoléon Charles Louis Napoleon Bonaparte Cook Cookery Cooking Crying Dressing Gown Dressinggown Emperor Napoleon Iii Fleur De Lis Giovanni Maria Giovanni Maria Mastai Ferretti Heritage Image Partnership Hidden Hiding Louis Napoleon Mastai Ferretti Mob Cap Napoleon Bonaparte Iii Napoleon Iii Notice Pius Ix Pope Pope Pius Ix Sandal Sandals Shoe Shoes Footwear Headgear Roman Catholicism
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Notice to Quit, 1861 - A Satirical Depiction of Political and Religious Tensions
EDITORS COMMENTS
. This intriguing print captures a momentous clash between politics and religion during the 19th century. In this caricature from Punch, or the London Charivari, dated September 14,1861, we witness an extraordinary scene unfold. Pope Pius IX, disguised as a cook with his papal crown concealed beneath a large mob cap, finds himself at odds with Louis Napoleon Bonaparte III – the master of the house. The pope's face reveals distress as he receives notice from Napoleon to sever ties with the Church. Amidst this tense encounter, hidden under the table are brigands loyal to Pope Pius IX. They symbolize his desperate attempt to prevent Louis Napoleon from breaking away from Catholicism. This satirical engraving cleverly portrays both political power struggles and religious conflicts that plagued France and Italy during that era. The image showcases remarkable attention to detail; it depicts various elements such as furniture, clothing styles including dressing gowns and sandals worn by men in that period. Additionally, it highlights symbols like fleur de lis associated with French royalty. Created by an unknown artist but attributed to Napoleon Bonaparte III himself (not related to the company), this black-and-white cartoon serves as a testament to historical satire prevalent in those times. It reflects on themes of authority, faithfulness towards religion amidst political changes within countries like France and Italy. This heritage image partnership offers us a glimpse into an intricate web of power dynamics where church-state relations were tested against shifting ideologies - leaving viewers pondering over its significance even today.
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