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The Morning Toilette, 1810-25. Creator: Unknown
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The Morning Toilette, 1810-25. Creator: Unknown
The Morning Toilette, 1810-25. The woman featured in the center embodies the poetic ideal of a female beauty, called a nayika, which translates as " heroine, " though she is not an individual from a specific story. In this scene four handmaidens attend to her after the bath. One dries her leg with a white cloth, and another brings her garments for the day folded neatly in a basin. A third holds a mirror for her to use while putting on her jewelry, selected from the box brought by the fourth attendant. The pots of bath water are amid the flowering plants in front of the hexagonal stool on which she stands. The kings of Chamba, a territory deep in the western Himalayas, employed artists from their neighboring kingdom of Guler to create paintings such as this for their royal collections to be viewed for enjoyment in private court gatherings of men and women. Stylistically, Guler artists had close links with imperial Mughal painting traditions prevalent in the Punjab plains to the west, which resulted in the relatively naturalistic setting and figural proportions
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Media ID 19644671
© Heritage Art/Heritage Images
Himachal Pradesh Northern India Opaque Watercolour And Gold On Paper Pahari Kingdom
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The Morning Toilette, 1810-25
EDITORS COMMENTS
is a captivating print that captures the essence of feminine beauty and elegance. Created by an unknown artist, this artwork showcases a nayika, a poetic ideal of female beauty and strength. The central figure stands as a heroine in her own right, radiating grace and confidence. Surrounded by four handmaidens, the nayika receives meticulous care after her bath. Each attendant fulfills their role with utmost dedication - one tenderly dries her leg with a white cloth while another presents neatly folded garments for the day in a basin. A third holds up a mirror for the nayika to admire herself as she adorns her jewelry from the box brought by the fourth attendant. The setting exudes naturalistic charm with flowering plants scattered around pots of bath water placed before a hexagonal stool on which she stands. This masterpiece reflects the artistic collaboration between Guler artists and kings of Chamba, deep within the western Himalayas. Employed specifically for royal collections, paintings like these were meant to be enjoyed during private court gatherings attended by both men and women. With stylistic influences from imperial Mughal painting traditions prevalent in Punjab plains to its west, "The Morning Toilette" seamlessly combines realism with aesthetic finesse. This print preserves not only an exquisite work of art but also offers us glimpses into historical cultural exchanges and expressions of femininity through time.
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