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Mathon. Louis Marius. 30 ans, ne a St Andiolle (Ardeche). Ferblantier

Mathon. Louis Marius. 30 ans, ne a St Andiolle (Ardeche). Ferblantier


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Mathon. Louis Marius. 30 ans, ne a St Andiolle (Ardeche). Ferblantier

Mathon. Louis Marius. 30 ans, ne a St Andiolle (Ardeche). Ferblantier. Anarchiste. 26/2/94. 1894

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Media ID 20137110

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Craftsman Criminal Identification Mug Shot Mugshot Mustache Physical Anthropology Tinsmith Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Ardeche

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print captures the intriguing persona of Mathon. Louis Marius, a 30-year-old tinsmith hailing from St Andiolle in Ardeche, France. Taken by renowned photographer Alphonse Bertillon in 1894, this albumen silver print showcases the meticulous attention to detail that characterized Bertillon's anthropometric photography. Mathon's arresting gaze and well-groomed mustache reflect his strong-willed nature as an anarchist, making a bold political statement during a time of social unrest. The photograph serves as both an identification tool for law enforcement and a testament to the power of visual storytelling. Bertillonage, the scientific method developed by Alphonse Bertillon himself, is evident in this portrait. Through precise measurements and facial features analysis, he sought to establish a link between physical appearance and criminal behavior - pioneering early concepts of forensic science. As we delve into this mesmerizing snapshot from history at The Metropolitan Museum of Art, we are transported back to an era where craftsmanship thrived alongside political activism. Mathon's occupation as a ferblantier (tinsmith) reflects his dedication to his craft while also highlighting the diverse range of people captured through Bertillon's lens. This print not only preserves Mathon's heritage but also invites us to ponder upon broader themes such as identity politics and societal norms prevalent during the late 19th century. It serves as a reminder that art can transcend time and provide valuable insights into our

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