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Martyrdom of St Sebastian, 1473-1475 (1870). Artist: Hotelin
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Martyrdom of St Sebastian, 1473-1475 (1870). Artist: Hotelin
Martyrdom of St Sebastian, 1473-1475 (1870). After the painting by Antonio Pollaiolo in the collection of the National Gallery, London. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870
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Media ID 14950617
© The Print Collector / Heritage-Images
Aiming Antonio Del Antonio Del Pollaiolo Antonio Del Pollaiuolo Antonio Pollaiolo Archer Archery Bow And Arrow Bowman Crossbow Crossbowman Duvivier Firing Florence Florentine Mantz Martyr Martyrdom Paul Paul Mantz Pollaiolo Pollaiuolo Print Collector12 Religious Persecution Saint Sebastian Saint Sebastien Sebastian St Sebastian St Sebastien Nakedness
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EDITORS COMMENTS
This print captures the intense moment of the "Martyrdom of St Sebastian" as depicted in Antonio Pollaiolo's renowned painting. Created by Hotelin, this print is a faithful reproduction from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz in 1870. The image showcases an archer aiming his crossbow at St Sebastian, who stands bound to a tree trunk. The scene exudes both artistic brilliance and religious symbolism, representing the martyrdom of a Christian saint during Roman persecution. The nakedness of St Sebastian emphasizes his vulnerability and devotion to his faith. The print transports us back to 15th-century Florence, Italy, where Pollaiolo painted this masterpiece. It beautifully captures the intricate details of the original artwork while adding its own monochromatic charm. As we observe this historical moment frozen in time, we are reminded of the enduring power and significance of religious art throughout history. The composition skillfully combines elements of war and religion within one frame, highlighting both human conflict and spiritual devotion. With its impeccable craftsmanship and attention to detail, this print serves as a testament to Hotelin's talent as an artist. It allows us to appreciate Antonio del Pollaiuolo's original work even if we cannot visit it personally at the National Gallery in London. Overall, this print offers viewers a glimpse into centuries past—a window into medieval times when art served not only as aesthetic pleasure but also conveyed profound messages about faith and perseverance against adversity.
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