Pollaiuolo Collection

Youth Brandishing a Cutlass, Maso Finiguerra (1426-1464)
Iron gall ink on laid paper, Italian School, 15th century. Tommaso Finiguerra was born in Florence, Italy, into a family of goldsmiths

Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydr... ca
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, ca. 1500-1520

Tablet commemorating Antonio and Piero Pollaiolo (marble)
ALI281579 Tablet commemorating Antonio and Piero Pollaiolo (marble) by Italian School, (15th century); San Pietro in Vincoli, Rome

Hercules and the Giants, c. 1475-80 (engraving)
659470 Hercules and the Giants, c.1475-80 (engraving) by Pollaiuolo, Antonio (1432/3-98) (school of); 36.7x54.7 cm; Private Collection; Photo © Christies Images

SS. Vincent of Saragossa, James and Eustace (oil on panel)
BAT95417 SS. Vincent of Saragossa, James and Eustace (oil on panel) by Pollaiuolo, Antonio (1432/3-1498) and Piero (1443-96) del; 172x179 cm; Galleria degli Uffizi, Florence, Tuscany

Battle of the Naked Men, ca. 1470-90. ca. 1470-90. Creator: Antonio del Pollaiuolo
Battle of the Naked Men, ca. 1470-90

Portrait of a Man by Antonio Pollaiuolo (c.1432-1498) - painted on wood panel - a powerful example of Florentine portraiture Date: after 1450

Silver-handled knife, c1470?, (1881). Creator: Js Dominy
Silver-handled knife, c1470?, (1881). Etching of a knife ascribed to Pollaiuolo, decorated with scenes including the Judgment of Paris and the Judgment of Solomon

Antonio Pollaiuolo, ca 1568
Antonio Pollaiuolo. From: Giorgio Vasari, The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, ca 1568. Private Collection

The Martyrdom of St. Sebastian, 1475, (1909). Artist: Antonio del Pollaiuolo
The Martyrdom of St. Sebastian, 1475, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Martyrdom of St Sebastian, 1473-1475 (1870). Artist: Hotelin
Martyrdom of St Sebastian, 1473-1475 (1870). After the painting by Antonio Pollaiolo in the collection of the National Gallery, London

Pollaiuolos Combat of Centaurs, 1882. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Christ and the Chalice, 1913. Artist: Antonio del Pollaiuolo
Christ and the Chalice, 1913. Antonio del Pollaiolo (1429/1433-1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiolo, was an Italian painter, sculptor

Portrait of a Woman, Second Half of the 15th cen Artist: Pollaiuolo, Piero del (1443-1496)
Portrait of a Woman, Second Half of the 15th cen.. Found in the collection of the Museo Poldi Pezzoli, Milan

The Martyrdom of Saint Sebastian, 1475. Artist: Pollaiuolo, Antonio (ca 1431-1498)
The Martyrdom of Saint Sebastian, 1475. Found in the collection of the National Gallery, London

Apollo and Daphne, ca. 1470-1480. Artist: Pollaiuolo, Antonio (ca 1431-1498)
Apollo and Daphne, ca. 1470-1480. Found in the collection of the National Gallery, London

Profile Portrait of a Young Lady, 1465. Artist: Pollaiuolo, Antonio (ca 1431-1498)
Profile Portrait of a Young Lady, 1465. Found in the collection of the Staatliche Museen, Berlin

Portrait of a Young Woman, 1475. Artist: Pollaiuolo, Antonio (ca 1431-1498)
Portrait of a Young Woman, 1475. Found in the collection of the Galleria degli Uffizi, Florence

The Battle of the Nudes, 1470s. Artist: Pollaiuolo, Antonio (ca 1431-1498)
The Battle of the Nudes, 1470s. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam

Portrait of a Lady, c1453-1498. Artist: Antonio del Pollaiuolo
Portrait of a Lady, c1453-1498. Found in the collection of the Galleria degli Uffizi, Florence, Italy

An Etruscan statue, The Capitoline Wolf
The Capitoline Wolf, an Etruscan bronze of the wolf with Romulus and Remus. from the Capitoline Museums collection in Rome

Portrait Young Man Attributed Piero del Pollaiuolo
Portrait of a Young Man; Attributed to Piero del Pollaiuolo (Italian, about 1443 - 1496); Italy; about 1470; Pen and brown ink over black chalk; 36.2 × 22.9 cm (14 1, 4 × 9 in.)

The Annunciation by Piero del Pollaiuolo (1443-1496)
Piero del Pollaiuolo (1443-1496). Italian painter. The Annunciation. Gemaldegalerie. Berlin. Germany

Drawings Prints, Print, Hercules Hydra, wielding, torch, he, attacks, winged, multi-headed
Drawings and Prints, Print, Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, Artist, After

martyrdom Saint Sebastian three archers angel arrives bearing
Artokoloro

Andrea Mantegna or School after Antonio del Pollaiuolo, Battle of Naked Men, 1460s, engraving on laid paper

Antonio del Pollaiuolo (Italian, c. 1431-1498), Battle of the Nudes, 1470-1475, engraving

VIRTUES: PRUDENCE c1470. Allegory of Prudence. Oil on panel by Piero and Antonio Pollaiuolo, c1469-70

VIRTUES: TEMPERANCE, c1470. Allegory of Temperance. Oil on panel by Piero and Antonio Pollaiuolo, c1469-70

CHARITY, 15th CENTURY. Allegory of Charity. Oil on panel by Piero and Antonio Pollaiuolo, late 15th century

HOPE, 15th CENTURY. Allegory of Hope. Oil on panel by Piero and Antonio Pollaiuolo, late 15th century

FAITH, 15th CENTURY. Allegory of Faith. Oil on panel by Piero and Antonio Pollaiuolo, late 15th century

ALLEGORY: JUSTICE. Oil on panel by Piero and Antonio Pollaiuolo, c1469-70

Portrait of a Young Woman, c1475. Oil on panel. Antonioi Pollaiuolo (Pollaiolo 1429/1433-1498) Italian painter, sculptor, engraver and painter

Antonio Pollaiuolo
ANTONIO POLLAIUOLO Florentine artist

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Pollaiuolo was a prominent Italian artist during the Renaissance period, known for his exceptional skill in various artistic mediums. One of his notable works is "Youth Brandishing a Cutlass, " which showcases his mastery in capturing dynamic movement and intense emotions. Another significant piece attributed to Pollaiuolo is "Hercules and the Hydra, " where he depicts Hercules bravely battling the fearsome creature with a torch in hand. This artwork exemplifies Pollaiuolo's ability to convey strength and heroism through intricate details. In "The Annunciation" by Piero del Pollaiuolo, Antonio's brother, we see their collaborative effort as they depict this biblical scene with precision and elegance. The brothers' talent extended beyond painting, as seen in the marble tablet commemorating Antonio and Piero Pollaiuolo. This exquisite piece showcases their expertise in sculpting. Antonio del Pollaiuolo's engraving titled "Hercules and the Giants" further demonstrates his prowess as an artist. The intricately detailed composition captures Hercules engaged in combat against formidable opponents, showcasing both physical power and strategic thinking. The oil on panel painting titled "SS. Vincent of Saragossa, James, and Eustace" highlights Antonio's ability to create lifelike figures with meticulous attention to detail. Each saint is depicted with distinct facial expressions that convey their individual stories. One of Antonio's most renowned works is the "Battle of the Naked Men. " Created around 1470-90, this masterpiece portrays a fierce battle scene filled with muscular figures engaged in combat. It reflects Antonio's fascination with human anatomy and his ability to capture raw energy on canvas. Another remarkable work attributed to him is the portrait titled "Portrait of a Man. " Through delicate brushstrokes, Antonio brings forth not only physical likeness but also reveals glimpses into the subject's personality. Apart from paintings, it also left a mark in the world of craftsmanship.