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The Lord of the Vineyard, 1783
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The Lord of the Vineyard, 1783
The Lord of the Vineyard, 1783. Charles James Fox and Lord North standing outside a high door under a stone arch, stretching out their arms to receive an enormous bunch of grapes, which the Duke of Portland is handing to them. The keystone of the arch reads Portland Place
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Media ID 15177362
© London Metropolitan Archives (City of London) / Heritage-Images
2nd Earl Of Guilford Bunch Of Grapes Charles Fox Charles James Charles James Fox Doorway Duke Of Earl Of Guildford Frederick Frederick North Gillray Grape Grapes James Gillray Lord Lord North North Portland Portland Place Prime Minister Archway Duke Of Portland Hindoostan
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The Lord of the Vineyard, 1783 - A Satirical Snapshot of British Politics in the 18th Century
EDITORS COMMENTS
. This print captures a moment frozen in time, revealing a satirical caricature that reflects the political landscape of 18th century Britain. The image showcases two prominent figures, Charles James Fox and Lord North, standing outside a grand high door under an intricately carved stone arch. With arms outstretched eagerly, they await an enormous bunch of grapes being handed to them by none other than the Duke of Portland. The keystone proudly displays "Portland Place" signifying both the physical location and perhaps metaphorically representing power and influence. This cleverly executed etching by James Gillray offers a humorous commentary on politics during this era. Fox and North were notable politicians at the time; Fox was known for his charismatic personality while North served as Prime Minister. The inclusion of William Cavendish Bentinck, also known as Frederick North or Earl Guilford, adds another layer to this intricate scene. Through satire and wit, Gillray highlights the greed and indulgence often associated with those in positions of power. The abundance of grapes symbolizes wealth and prosperity while simultaneously mocking their insatiable desire for more. As we gaze upon this intriguing piece from our collection at Guildhall Library & Art Gallery in London, we are transported back to a pivotal moment in history where politics met artistry with biting humor. It serves as a reminder that even centuries later, political satire continues to captivate audiences worldwide.
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