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Leaf from a Book of Hours: St. Barbara (6 of 6 Excised Leaves), c. 1420-1430. Creator
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Leaf from a Book of Hours: St. Barbara (6 of 6 Excised Leaves), c. 1420-1430. Creator
Leaf from a Book of Hours: St. Barbara (6 of 6 Excised Leaves), c. 1420-1430. This group of leaves survives from what must have been an extraordinarily rich book of hours. The elaborate Passion cycle and Suffrages point to an important commission. Evidence within the calendar and texts suggests that Metz was probably the place of production. Situated on the Moselle River, Metz was the cultural and commercial capital of Lorraine during the 1400s, as well as the location of an important bishopric. It was thus the center of a growing book trade. The illuminations appear to come from the workshop of Henri dOrquevaulx, a documented Metz manuscript painter. Little is known about dOrquevaulxs life or career. Compositionally, structurally, and stylistically, the miniatures suggest strong links to Netherlandish illumination. Details such as the tub, ewer, towel, and fireplace in the Nativity are typical of the northern love of crowded and unusual compositions, as well as domestic details. It is not known whether dOrquevaulx came originally from the Netherlands or whether he simply worked or trained there at some point in his career
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Media ID 19621519
© Heritage Art/Heritage Images
And Gold On Vellum Metz Workshop Tempera
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EDITORS COMMENTS
This print showcases a leaf from a Book of Hours depicting St. Barbara, dating back to the early 15th century. The surviving group of leaves suggests that this book was once an incredibly lavish and important commission. The intricate illustrations of the Passion cycle and Suffrages indicate its significance. The evidence found within the calendar and texts points towards Metz as the likely place of production for this masterpiece. Situated on the Moselle River, Metz was not only a cultural hub but also a thriving center for commerce during that era, making it an ideal location for book trade. The illuminations featured in this leaf are believed to have originated from Henri d'Orquevaulx's workshop, a renowned manuscript painter based in Metz at that time. Unfortunately, little is known about d'Orquevaulx's personal life or career. Stylistically influenced by Netherlandish illumination, these miniatures exhibit remarkable attention to detail and composition. Notably, elements like the tub, ewer, towel, and fireplace depicted in the Nativity scene reflect the northern love for crowded yet intriguing compositions with domestic details. While it remains uncertain whether d'Orquevaulx hailed from the Netherlands originally or simply trained there at some point during his career, his work undeniably showcases exceptional craftsmanship and artistic finesse.
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