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Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), c
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Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), c
Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), c. 1410-20. This finely preserved leaf with its large miniature is stylistically consistent with the work of the Boethius Illuminator. An unusual and very original painter, he was named after a manuscript copy of the works of the Roman philosopher Boethius (AD 480-524), which he illuminated in 1414. The artist favored bright, sweeping colours and expressionistic compositions. He used tessellated (mosaic-patterned) grounds in his miniatures, as is the case here. The Boethius Illuminator and his assistants participated in the illustration of over a dozen manuscripts between 1414 and 1418/20. It was not unusual for artists working in different styles to collaborate on a single book of hours during the 1400s and 1500s
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Media ID 19635402
© Heritage Art/Heritage Images
Active C Tempera And Gold On Vellum
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This beautifully preserved leaf from a Book of Hours showcases the exquisite artistry of the Boethius Illuminator, an exceptional and innovative painter of the 15th century. Known for his unique style, he was named after his remarkable illumination work on a manuscript copy of the writings by Roman philosopher Boethius in 1414. The large miniature featured on this leaf depicts the Annunciation to the Shepherds, capturing a momentous scene with vibrant colors and expressive compositions. The artist's preference for tessellated grounds is evident here, creating a mosaic-like pattern that adds depth and richness to the artwork. Collaboration among artists with different styles was not uncommon during this period, especially in producing books of hours. The Boethius Illuminator and his assistants contributed their talents to over twelve manuscripts between 1414 and 1418/20. Crafted using ink, tempera, and gold on vellum, this manuscript exemplifies the meticulous attention to detail characteristic of Flemish art. Its origins can be traced back to France before finding its way into The Cleveland Museum of Art in Paris. As we gaze upon this print captured by Heritage Art/Heritage Images, we are transported back in time to appreciate both the artistic mastery displayed within it and its historical significance as part of medieval illuminated manuscripts.
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