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La Romaine - Au Nom Inconnu, 1403, (1939). Artist: Master of Berrys Cleres Femmes
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La Romaine - Au Nom Inconnu, 1403, (1939). Artist: Master of Berrys Cleres Femmes
La Romaine - Au Nom Inconnu, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio, housed in the Bibliotheque nationale de France, Paris. From Verve - Nos. 5-6, July-October 1939. [Verve, France, 1939]
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Media ID 14985490
© The Print Collector
Bibliotheque Nationale De France Boccaccio Breast Feeding De Claris Mulieribus Femmes Folio Gaol Gaoler Giovanni Giovanni Boccaccio Gold Leaf Heliogravure Jail Jailer Lock Master Of Berrys Cleres Master Of Berrys Cleres Femmes National Library Of France Noble Passer By Penitentiary Prison Strange The Unknown Verve Voyeur
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EDITORS COMMENTS
This print showcases "La Romaine - Au Nom Inconnu, 1403" by the Master of Berrys Cleres Femmes. The artwork is a part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) written by Giovanni Boccaccio and housed in the prestigious Bibliotheque nationale de France in Paris. The image transports us to 15th-century Italy, where we find ourselves immersed in a scene filled with intrigue and mystery. A group of individuals stands before an imposing Roman prison, their gazes fixed on something happening inside. Among them are men, women, and children who seem captivated by what unfolds behind the locked bars. The composition is richly detailed; every element tells a story. The golden hues and delicate brushstrokes add depth to this strange yet compelling illustration. One cannot help but wonder about the unknown concept that lies at its core. As we peer into this snapshot from history, it becomes clear that this piece transcends time and place. It evokes emotions within us—curiosity, fascination—and invites us to contemplate themes such as justice, confinement, and human nature itself. Through this print from Verve magazine's archives dating back to July-October 1939, we are reminded of the power art holds: its ability to transport us across centuries while still resonating with our contemporary sensibilities.
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