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L homme et la puce (The Man with Fleas), published 1756. Creator: Benoit-Louis Prevost
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L homme et la puce (The Man with Fleas), published 1756. Creator: Benoit-Louis Prevost
L homme et la puce (The Man with Fleas), published 1756
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Media ID 22175990
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Bed Chamber Bedchamber Bedroom Benoît Louis Prévost Chamber Pot Curtain De La Fontaine Jean Flea Fleas Fontaine Jean De La Funny Hand Colored Etching Houdrie Of Paris Insect Insects Jean Baptiste Oudry Jean De La Fontaine John Fontaine La Fontaine Jean De Oudry Jean Baptiste Potty Prevost Benoit Louis Scratching Beno And Xee Hand Coloured Hand Tinted Infestation Pr And Xe9
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EDITORS COMMENTS
This hand-colored etching, titled "L'homme et la puce (The Man with Fleas)" was created by Benoit-Louis Prevost and published in 1756. The artwork is a humorous depiction of a man suffering from an infestation of fleas. Prevost's attention to detail and skillful use of color bring this comical scene to life. In the image, we see a bedchamber filled with various elements that contribute to the overall narrative. The room is adorned with curtains, reflecting the opulence of the era, while also serving as hiding spots for these pesky insects. A chamber pot can be seen on the floor, suggesting that personal hygiene may have played a role in attracting these unwelcome guests. The central figure, our unfortunate protagonist, is depicted scratching himself furiously as he tries to rid his body of fleas. His facial expression reveals both frustration and resignation towards his predicament. This amusing portrayal highlights the absurdity of human vulnerability when faced with nature's smallest creatures. Prevost's work demonstrates his mastery in capturing not only physical details but also conveying emotions through visual storytelling. Through this print, he invites viewers into a world where humor meets reality – reminding us that even in moments of discomfort or annoyance, there is always room for laughter. This artwork can be found at the National Gallery of Art Washington and serves as a testament to Prevost's talent as an artist during the 18th century French art movement.
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