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Kusa Nagi, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Kusa Nagi, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Kusa Nagi, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka. Kusa Nagi, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka


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Kusa Nagi, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Kusa Nagi, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Kusa Nagi, from the series "Pictures of No Performances (Nogaku Zue)", 1898

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Media ID 24372177

© Heritage Art/Heritage Images

Bennosuke Tsukioka Hanyu Sadanosuke Jumping Kogyo Sakamaki Kogyo Tsukioka Kohan Mask Masked Meiji Era Meiji Period Nenkyu Sadanosuke Hanyu Sakamaki Kogyo Show Tsukioka Bennosuke Tsukioka Kogyo Blade Colour Woodblock Print Playhouse Thespian


EDITORS COMMENTS
The print titled "Kusa Nagi, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" captures a captivating moment in Japanese theater history. Created by Kogyo Tsukioka during the Meiji era, this vibrant color woodblock print showcases the artistry and drama of Noh performances. In this particular scene, we witness a male performer named Kusa Nagi leaping gracefully through the air. His dynamic pose and expressive mask convey a sense of intense emotion and energy. The intricate details of his traditional costume and sword add to the visual spectacle. Tsukioka's mastery in capturing movement is evident as he skillfully depicts every nuance of Kusa Nagi's performance. The playhouse setting in the background transports us to a different time and place, immersing us in the rich cultural heritage of Japan. This artwork not only serves as an aesthetic delight but also provides valuable insights into Japanese theatrical traditions. It reminds us of the enduring power of storytelling through performance arts across centuries and continents. Displayed at the Art Institute Chicago, this piece stands as a testament to Tsukioka's contribution to ukiyo-e printing technique during the late 19th century. Its presence within their collection highlights its significance as both an artistic masterpiece and historical artifact that continues to inspire audiences today.

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