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Juno borrowing the Cestus from Venus, c1782. Artist: W Wynne Ryland

Juno borrowing the Cestus from Venus, c1782. Artist: W Wynne Ryland


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Juno borrowing the Cestus from Venus, c1782. Artist: W Wynne Ryland

Juno borrowing the Cestus from Venus, c1782. In between the two goddesses stands Cupid

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Media ID 15171760

© Guildhall Art Gallery (City of London) / Heritage-Images

Angelica Angelica Kauffman Angelica Kauffmann Angelica Kaufmann Angelika Kauffman Angelika Kauffmann Borrowing Classical Cupid Hera Juno Kauffman Kauffmann Maria Anna Angelika Kauffmann Venus Allegorical Figure Cestus Lending


FEATURES IN THESE COLLECTIONS

> Arts > Artists > K > Angelica Kauffmann

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Italy > Lazio > Rome

> Europe > Italy > Rome

> Europe > United Kingdom > England > London > Boroughs > City of London


EDITORS COMMENTS
This print titled "Juno borrowing the Cestus from Venus" transports us back to the classical world of ancient Rome. Created in 1782 by artist W Wynne Ryland, this engraving beautifully captures a significant moment between two powerful goddesses. In the center of the composition stands Cupid, symbolizing love and desire. On one side is Juno, queen of gods and mortals alike, while on the other side is Venus, goddess of love and beauty. The scene depicts Juno humbly borrowing the Cestus from Venus - a magical girdle that enhances allure and charm. The monochrome aesthetic adds an air of timelessness to this allegorical image. It invites us to contemplate themes such as power dynamics among deities or even human relationships influenced by divine intervention. Displayed at Guildhall Library and Art Gallery, this artwork showcases Angelica Kauffman's mastery in capturing mythological narratives with exquisite detail. Kauffman was renowned for her ability to infuse emotion into her subjects' faces while maintaining classical elegance. As we gaze upon this remarkable piece, we are reminded of Italy's rich artistic heritage where mythology often intertwined with religious beliefs. This print serves as a testament to Maria Anna Angelika Kauffmann's legacy as one of Europe's most celebrated female artists during the eighteenth century.

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